I’m very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.
BRIAN ENOWhen I went back to England after a year away, the country seemed stuck, dozing in a fairy tale, stifled by the weight of tradition.
More Brian Eno Quotes
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The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
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I’m not interested in possible complexities. I regard song structure as a graph paper.
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For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
BRIAN ENO -
I hate the way CDs just drone on for bloody hours and you stop caring.
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I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
BRIAN ENO -
The time I like listening to music most on headphones is, I have a game I play with my brother, he’s a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file.
BRIAN ENO -
In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
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People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious.
BRIAN ENO -
The most important thing is the thing most easily forgotten.
BRIAN ENO -
Look closely at the most embarrassing details, and amplify them.
BRIAN ENO -
I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
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Saying that cultural objects have value is like saying that telephones have conversations.
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I belong to a gospel choir. They know I am an atheist but they are very tolerant.
BRIAN ENO -
We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
BRIAN ENO