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Put out as much as you can. It doesn’t do anything sitting on a shelf.

Brian Eno

There are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
BRIAN ENO

Musical Sound Territory
In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
BRIAN ENO

Mean Musical Sound Writing
If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
BRIAN ENO

Down Loss Thinking Transmission Writing
As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
BRIAN ENO

Clear Floating Ideas
I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
BRIAN ENO

Exercise Interesting People
There’s a kind of edge to what you’re doing, the kind of leading edge of what you’re doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. “I’ve pulled that one out before. Oh, no, I can’t I’m just fed up with that.
BRIAN ENO

Bored Retrospect Thinking
My guitar only has five strings ’cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
BRIAN ENO

Chord Cutting Guitar Play
The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
BRIAN ENO

Firsts Intrusion Occasional
Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one!
BRIAN ENO

Firsts Monotonous Should
A big ego isn’t necessarily a bad thing. A big ego means that you have some confidence in your abilities, really, and that you’re prepared to take the risk of trying them out.
BRIAN ENO

Ego Mean Risk
I believe in singing.
BRIAN ENO

Believe Happen Life Magic Singing
But now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
BRIAN ENO

Criped People See Undo Unless
Not many people bought Velvet Underground LPs, but those who did, started a band.
BRIAN ENO

People Underground Velvet
I wanted to get rid of the element that had been considered essential in pop music: the voice.
BRIAN ENO

Aquariums Essentials Voice
In my normal life I’m a very unadventurous person.
BRIAN ENO

Life Normal Persons
It infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
BRIAN ENO

Bass Credit Engineer Player

Put out as much as you can. It doesn’t do anything sitting on a shelf.

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Put out as much as you can. It doesn’t do anything sitting on a shelf.

Related Topics

Popular Authors

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