One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
BRIAN ENOThe great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
More Brian Eno Quotes
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Lyrics are always misleading because they make people think that that’s what the music is about.
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Admirers can be a tremendous force for conservatism.
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Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
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If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
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American television really is pathetic.
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The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
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Most of those melodies are me trying to find out what notes fit, and then hitting ones that don’t fit in a very interesting way.
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The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
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Law is always better than war.
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Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
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Sometimes they’re of my own creation, as well – and they’re just as annoying. It’s not only other people’s ear worms that bug me, it’s my own, as well.
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In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
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People do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
BRIAN ENO






