I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
BRIAN ENOThe great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
More Brian Eno Quotes
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As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
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Anything popular is populist, and populist is rarely a good adjective.
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All the best lyrics are written in ten minutes.
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Being completely free to choose what to do is actually quite difficult
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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Admirers can be a tremendous force for conservatism.
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The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
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Quite often, and in fact more often, I would say, I’m struggling all the way through to think, “What is it I like about this? What is the personality of this thing I’m hearing that I like so much?”
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Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
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As struggles go, being an artist isn’t that much of one.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
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I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn’t what they wanted.
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It’s actually very easy for democracy to disappear.
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If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
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Most of those melodies are me trying to find out what notes fit, and then hitting ones that don’t fit in a very interesting way.
BRIAN ENO