It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
BRET EASTON ELLISI think a lot of snowflakes are alike…and I think a lot of people are alike too.
More Bret Easton Ellis Quotes
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You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
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My pain is constant and sharp, and I do not hope for a better world for anyone.
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With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
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I’ve never written an autobiographical novel in my life. I’ve never touched upon my life. I’ve never written a single scene that I can say took place.
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So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It’s not the seals I hate——it’s the audience’s enjoyment of them that bothers me.
BRET EASTON ELLIS -
I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
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Look how black the sky is, the writer said. I made it that way.
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I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
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I think we’ve all lost some kind of feeling.
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I’ve been accused of being very vain about my apathy.
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What does that mean know me, know me, nobody ever knows anybody else, ever! You will never know me.
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That’s how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers.
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We buy balloons, we let them go.
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Fear never shows up and the party ends early.
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People are afraid to merge.
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Do you know what Ed Gein said about women?’ […] ‘”When I see a pretty girl walking down the street I think two things.
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I tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
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Do you wear a diaphragm everywhere you go?’ I want to scream, but stop myself because the idea really excites me.
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I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
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People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
BRET EASTON ELLIS -
Her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars’ worth of rap CDs but, as expected, I’m at a loss: […] voices uttering ugly words like digit, pudding, chunk.
BRET EASTON ELLIS -
One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.”‘ I stop finish my J&B in one swallow. ‘What does the other part of him think?’ Hamlin asks tentatively. ‘What her head would look like on a stick…’
BRET EASTON ELLIS -
I think basically most men are misogynistic.
BRET EASTON ELLIS -
I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
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I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
BRET EASTON ELLIS -
What else is there to do in college except drink beer or slit one’s wrists?
BRET EASTON ELLIS