I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning
BRET EASTON ELLISI tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
More Bret Easton Ellis Quotes
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What else is there to do in college except drink beer or slit one’s wrists?
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I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
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My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
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You really write the books you want to write. You can’t take into consideration anything that anybody has said about you in the past, or what they’ll say about you in the future.
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I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
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Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
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You learn to move on without the people you love.
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…if you’re alone nothing bad can happen to you.
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I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
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You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
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Fear never shows up and the party ends early.
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I totally relate to Tom Cruise. He’s not crazy, it’s just the litany of the mid-life crisis.
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People are afraid to merge.
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Her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars’ worth of rap CDs but, as expected, I’m at a loss: […] voices uttering ugly words like digit, pudding, chunk.
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I have to return some videotapes
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It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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Writing fiction is an act of imagination and fantasizing, and it’s not relating in prose what you’ve been doing for the last two or three years.
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Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
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Do you know what Ed Gein said about women?’ […] ‘”When I see a pretty girl walking down the street I think two things.
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Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
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A great numb feeling washes over me as I let go of the past and look forward to the future. Pretend to be a vampire.
BRET EASTON ELLIS -
And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
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After a while you learn that everything stops.
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I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLIS -
I could stay living in this city if they just installed Blaupunkts in the cabs.
BRET EASTON ELLIS -
But this road doesn’t go anywhere,” I told him. “That doesn’t matter.” “What does?” I asked, after a little while. “Just that we’re on it, dude,” he said.
BRET EASTON ELLIS