Look how black the sky is, the writer said. I made it that way.
BRET EASTON ELLISI think we’ve all lost some kind of feeling.
More Bret Easton Ellis Quotes
-
-
With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
BRET EASTON ELLIS -
Her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars’ worth of rap CDs but, as expected, I’m at a loss: […] voices uttering ugly words like digit, pudding, chunk.
BRET EASTON ELLIS -
Open the hood of a car and it will tell you something about the people who designed it, is just one of many phrases I’m tortured by.
BRET EASTON ELLIS -
People can get accustomed to anything, right? Habit does things to people.
BRET EASTON ELLIS -
People are afraid to merge.
BRET EASTON ELLIS -
Rock ‘n’ roll. Deal with it.
BRET EASTON ELLIS -
I don’t want to care. If I care about things, it’ll just be worse, it’ll just be another thing to worry about. It’s less painful if I don’t care.
BRET EASTON ELLIS -
I think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
BRET EASTON ELLIS -
He was simply someone who floated through our lives and didn’t seem to care how flatly he perceived everyone or that he’d shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all.
BRET EASTON ELLIS -
You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
BRET EASTON ELLIS -
I could stay living in this city if they just installed Blaupunkts in the cabs.
BRET EASTON ELLIS -
When I’m writing a book, I’m not thinking, “Oh, this would be a great movie.” This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
BRET EASTON ELLIS -
I tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
BRET EASTON ELLIS -
And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
BRET EASTON ELLIS -
And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
BRET EASTON ELLIS -
I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
BRET EASTON ELLIS -
But this road doesn’t go anywhere,” I told him. “That doesn’t matter.” “What does?” I asked, after a little while. “Just that we’re on it, dude,” he said.
BRET EASTON ELLIS -
I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning
BRET EASTON ELLIS -
No one is drawn to writing about being happy or feelings of joy.
BRET EASTON ELLIS -
I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
BRET EASTON ELLIS -
I don’t know why I write what I write.
BRET EASTON ELLIS -
And,” Price adds, smiling, “if another round of Bellinis comes within a twenty-foot radius of our table we are going to set the maitre d’ on fire. So you know, warn him.
BRET EASTON ELLIS -
I don’t really need to pretend, because it’s who I am, an emotional vampire. I’ve just come to expect it. Vampires are real. That I was born this way. That I feed off of other people’s real emotions. Search for this night’s prey. Who will it be?
BRET EASTON ELLIS -
We buy balloons, we let them go.
BRET EASTON ELLIS -
But this was what happened when you didn’t want to visit and confront the past: the past starts visiting and confronting you.
BRET EASTON ELLIS -
Writing fiction is an act of imagination and fantasizing, and it’s not relating in prose what you’ve been doing for the last two or three years.
BRET EASTON ELLIS