I’ve been accused of being very vain about my apathy.
BRET EASTON ELLISShe sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
More Bret Easton Ellis Quotes
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People can get accustomed to anything, right? Habit does things to people.
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My pain is constant and sharp, and I do not hope for a better world for anyone.
BRET EASTON ELLIS -
I don’t really need to pretend, because it’s who I am, an emotional vampire. I’ve just come to expect it. Vampires are real. That I was born this way. That I feed off of other people’s real emotions. Search for this night’s prey. Who will it be?
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Open the hood of a car and it will tell you something about the people who designed it, is just one of many phrases I’m tortured by.
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I kept staring into the blackness of the woods, drawn into the darkness as I always had been. I suddenly realized how alone I was. (But this is how you travel, the wind whispered back, this is how you’ve always lived.)
BRET EASTON ELLIS -
The Smiths are singing and someone says “Turn that gay angst music off.
BRET EASTON ELLIS -
I could stay living in this city if they just installed Blaupunkts in the cabs.
BRET EASTON ELLIS -
Yes. Yes I am. I am a completely demented misogynist.
BRET EASTON ELLIS -
I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning
BRET EASTON ELLIS -
I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLIS -
If I want to write a movie, I’ll write a screenplay, but if I have an idea for a book, it’s something that I think can only be done novelistically.
BRET EASTON ELLIS -
Her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars’ worth of rap CDs but, as expected, I’m at a loss: […] voices uttering ugly words like digit, pudding, chunk.
BRET EASTON ELLIS -
I tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
BRET EASTON ELLIS -
Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
BRET EASTON ELLIS -
I don’t want to care. If I care about things, it’ll just be worse, it’ll just be another thing to worry about. It’s less painful if I don’t care.
BRET EASTON ELLIS -
I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
BRET EASTON ELLIS -
At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
BRET EASTON ELLIS -
Look how black the sky is, the writer said. I made it that way.
BRET EASTON ELLIS -
Greed is good. Sex is easy. Youth is forever.
BRET EASTON ELLIS -
I think we’ve all lost some kind of feeling.
BRET EASTON ELLIS -
There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed.
BRET EASTON ELLIS -
Fear never shows up and the party ends early.
BRET EASTON ELLIS -
It’s as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there… is… no… key.
BRET EASTON ELLIS -
We buy balloons, we let them go.
BRET EASTON ELLIS -
I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this.
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I think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
BRET EASTON ELLIS