Disappear Here. The syringe fills with blood. You’re a beautiful boy and that’s all that matters. Wonder if he’s for sale. People are afraid to merge. To merge.
BRET EASTON ELLISI really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
More Bret Easton Ellis Quotes
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I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning
BRET EASTON ELLIS -
I think a lot of snowflakes are alike…and I think a lot of people are alike too.
BRET EASTON ELLIS -
She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
BRET EASTON ELLIS -
The seeds of love have taken hold and if we won’t burn together, I’ll burn alone.
BRET EASTON ELLIS -
I kept staring into the blackness of the woods, drawn into the darkness as I always had been. I suddenly realized how alone I was. (But this is how you travel, the wind whispered back, this is how you’ve always lived.)
BRET EASTON ELLIS -
Writing fiction is an act of imagination and fantasizing, and it’s not relating in prose what you’ve been doing for the last two or three years.
BRET EASTON ELLIS -
Fear never shows up and the party ends early.
BRET EASTON ELLIS -
How could she ever understand that there isn’t any way could be disappointed since I no longer find anything worth looking forward to?
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Greed is good. Sex is easy. Youth is forever.
BRET EASTON ELLIS -
Do you know what Ed Gein said about women?’ […] ‘”When I see a pretty girl walking down the street I think two things.
BRET EASTON ELLIS -
That’s how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers.
BRET EASTON ELLIS -
If I want to write a movie, I’ll write a screenplay, but if I have an idea for a book, it’s something that I think can only be done novelistically.
BRET EASTON ELLIS -
I don’t know why I write what I write.
BRET EASTON ELLIS -
I could stay living in this city if they just installed Blaupunkts in the cabs.
BRET EASTON ELLIS -
He was simply someone who floated through our lives and didn’t seem to care how flatly he perceived everyone or that he’d shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all.
BRET EASTON ELLIS -
At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
BRET EASTON ELLIS -
We buy balloons, we let them go.
BRET EASTON ELLIS -
Is evil something you are? Or is it something you do?
BRET EASTON ELLIS -
…if you’re alone nothing bad can happen to you.
BRET EASTON ELLIS -
No one is drawn to writing about being happy or feelings of joy.
BRET EASTON ELLIS -
What else is there to do in college except drink beer or slit one’s wrists?
BRET EASTON ELLIS -
I have to return some videotapes
BRET EASTON ELLIS -
Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
BRET EASTON ELLIS -
Yes. Yes I am. I am a completely demented misogynist.
BRET EASTON ELLIS -
Why was I holding on to something that would never be mine? But isn’t that what people do?
BRET EASTON ELLIS -
You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
BRET EASTON ELLIS