We’re products of this world we were born into. We all battle our own demons. Everyone is troubled in the dark, but, please just stop & think about the babies. They’re gonna be here long after we leave.
BRENT FAIYAZWe’re products of this world we were born into. We all battle our own demons. Everyone is troubled in the dark, but, please just stop & think about the babies. They’re gonna be here long after we leave.
More Brent Faiyaz Quotes
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I probably talk to myself more than I talk to anyone.
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If you’re my woman, you’re somebody I give emotions to that I don’t give to nobody else. You’re my safe space. I don’t want my safe space to be compromised.
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I still got bars, I just use ’em differently. I’d say I’m a better singer than I am a rapper at this point because I’ve been sharpening my sword.
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I’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.
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If I’m being honest, I was messing up on every other level in my life growing up – whether it was in school or in my jobs. I was always distracted by my love for music.
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An outside party don’t ever stay outside.
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Rapping was kind of hard. It’s so many words. When you sing you can kind of stretch the words out. I didn’t have to write as much as everybody else.
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I think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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If you tell somebody that you make music they’re all interested. But when you say you rap, they just start rolling their eyes at you. It would’ve taken me a lot longer to get my foot in the door if I’d continued rapping all the way.
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I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’
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I got a toy keyboard when I was around like five or six.
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I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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If it feels good coming out, then I really don’t care about anything else, for real. It’s all about just having fun with it. If it feels like less work, then the project is coming out better.
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Music is my one opportunity to let out how I’m feeling when I’m not talking to a chick or my mom, you know what I mean? It’s just venting.
BRENT FAIYAZ