Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
BONNIE JO CAMPBELLThat’s where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and ’50s, several old pickup trucks, and a pile of scrap metal.
More Bonnie Jo Campbell Quotes
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I’m not much interested in my own self when I write. I’m interested in what I observe out there, what’s going on around me.
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It occurred to Susan that men were always waiting for something cataclysmic-love or war or a giant asteroid.
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Writing is so wrapped up in ego, but with math one is just trying to get it right, although you’re often wrong. I think math helped me become a good critic of myself, come at writing a little less personally.
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I do different work, teaching and running around visiting universities and bookstores, and that prevents me from writing. But it’s nice to be wanted as a writer.
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Any of us who listen to the news or listen to stories our neighbors tell are accustomed to violence.
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I’m of the people in the bar and the people in my stories. They are my tribe.
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I think by writing about a place with great specificity, you manage to make it universal.
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For ‘King Cole’s American Salvage,’ I rode around in the wrecker with a local driver and watched him deal with customers and hook up the cars.
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Since I’m living with the violence and trouble in my brain, it’s kind of a relief to write about it, to get it on paper, to put it in context, to find meaning in it.
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We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.
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A mathematical proof is beautiful, but when you’re finished, it’s really only about one thing. A story can be about many things.
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I figure that I’m always going to be fine, one way or another, but I do worry about other people who have difficulty moving from one world to the next. It’s the folks who are truly invested in their lives who have the hardest time with change.
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We all screw up, but the women I write about don’t have back-up plans or money in the back or resources to fix what they have broken.
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That’s why I have to be a fiction writer, because I can’t remember what just happened or where I went last week or what movie I just watched with my husband. I’m better off just making things up.
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I hope that my stories serve as explorations and help show readers how and why real-life women don’t always make the “correct” decisions in the face of economic and sexual troubles.
BONNIE JO CAMPBELL