We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.
BONNIE JO CAMPBELLIn a regular class I don’t focus on the form, but I think that focus is helpful for brainstorming and coming up with ideas quickly, especially with autobiographical material.
More Bonnie Jo Campbell Quotes
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I was never a big reader as a kid. My imagination wasn’t captured by books very often. It was captured more often by boys and partying and riding horses.
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I’m pro-life, in the sense that chaos seems like life to me and order seems like death.
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I hope that my stories serve as explorations and help show readers how and why real-life women don’t always make the “correct” decisions in the face of economic and sexual troubles.
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All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.
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I’ve worked behind counters serving food, and I’ve lived on the circus train, and I’ve led bicycle tours in Eastern Europe and the Balkans and Russia. I’ve been a key liner for a newspaper, I’ve done typesetting. Oh, all sorts of things.
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I thought that you had to learn to write by yourself and if you couldn’t do it, then you were out of luck.
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I think by writing about a place with great specificity, you manage to make it universal.
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I worked probably fewer jobs than most people, or fewer real soul-killing jobs than other people. I’ve been a typist, a typesetter, a keyliner, cappuccino-maker. I think I’ve been pretty lucky.
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Where I live you’re not supposed to shoot a firearm within a quarter mile of a dwelling.
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Writing is so wrapped up in ego, but with math one is just trying to get it right, although you’re often wrong. I think math helped me become a good critic of myself, come at writing a little less personally.
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That’s where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and ’50s, several old pickup trucks, and a pile of scrap metal.
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I was just about to earn my Master’s along the way, but I knew something was wrong because I found myself crying all the time.
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I’m of the people in the bar and the people in my stories. They are my tribe.
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My donkeys are Jack and Don Quixote. They’re very smart, very cautious. Much of what people consider stubbornness in donkeys is actually cautiousness.
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Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
BONNIE JO CAMPBELL