I was just about to earn my Master’s along the way, but I knew something was wrong because I found myself crying all the time.
BONNIE JO CAMPBELLA mathematical proof is beautiful, but when you’re finished, it’s really only about one thing. A story can be about many things.
More Bonnie Jo Campbell Quotes
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I mostly write about the working poor. Somehow, they’re not being written about much anymore.
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That’s where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and ’50s, several old pickup trucks, and a pile of scrap metal.
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I thought that you had to learn to write by yourself and if you couldn’t do it, then you were out of luck.
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Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
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In fact, when I finally realized I was really going to write, when I was about thirty-four, I was working on my Ph.D. in Mathematics.
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I was never a big reader as a kid. My imagination wasn’t captured by books very often. It was captured more often by boys and partying and riding horses.
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So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
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Eighty percent of all novels are bought by women, or so I’ve heard.
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The natural world is the place into which all my characters have to situate themselves in order to be who they really are, and that makes my rural fiction feel different from a lot of urban fiction.
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My normal writing day involves three hours of actual writing, before noon, and the rest is just feeding the writing. There is teaching (so I can afford to write), travel to be planned and executed.
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Drugs and drinking affect every family I know, country and city, middle-class and poor.
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Nobody tells young writers it’s okay if you’re not very good, you’ll get better. So I just thought I’m not very good, so I should try to do every other thing besides writing. That’s how I ended up being a hitchhiker, a world traveler, and a mathematician.
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I’ve worked behind counters serving food, and I’ve lived on the circus train, and I’ve led bicycle tours in Eastern Europe and the Balkans and Russia. I’ve been a key liner for a newspaper, I’ve done typesetting. Oh, all sorts of things.
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All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.
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I hope that my stories serve as explorations and help show readers how and why real-life women don’t always make the “correct” decisions in the face of economic and sexual troubles.
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I can’t personally drink or fight too much nowadays because I have to be perky in the morning in order to write.
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Men didn’t understand that you couldn’t let yourself be consumed with passion when there were so many people needing your attention, when there was so much work to do.
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I do different work, teaching and running around visiting universities and bookstores, and that prevents me from writing. But it’s nice to be wanted as a writer.
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I have a second-degree black belt in Okinawan kobudo weapons training.
BONNIE JO CAMPBELL -
When I was little, we lived on 8 acres and my mom had a horse. But when I was 7, my mom kicked my dad out, and then in order to feed us five kids, she got critters cheap or for free and raised them for food.
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The great thing about fiction is that I don’t have to settle on an answer to any troubling question, or even a solution.
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Where I live you’re not supposed to shoot a firearm within a quarter mile of a dwelling.
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A mathematical proof is beautiful, but when you’re finished, it’s really only about one thing. A story can be about many things.
BONNIE JO CAMPBELL -
Since I’m living with the violence and trouble in my brain, it’s kind of a relief to write about it, to get it on paper, to put it in context, to find meaning in it.
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I realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
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That’s why I have to be a fiction writer, because I can’t remember what just happened or where I went last week or what movie I just watched with my husband. I’m better off just making things up.
BONNIE JO CAMPBELL