You can’t beat a good sonnet, and you can write a sonnet without being married to the damned thing.
BONNIE JO CAMPBELLThe great thing about fiction is that I don’t have to settle on an answer to any troubling question, or even a solution.
More Bonnie Jo Campbell Quotes
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I’m pro-life, in the sense that chaos seems like life to me and order seems like death.
BONNIE JO CAMPBELL -
Since I’m living with the violence and trouble in my brain, it’s kind of a relief to write about it, to get it on paper, to put it in context, to find meaning in it.
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I think by writing about a place with great specificity, you manage to make it universal.
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I always felt a weird obligation to be adventurous.
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Writing is so wrapped up in ego, but with math one is just trying to get it right, although you’re often wrong. I think math helped me become a good critic of myself, come at writing a little less personally.
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I hope that my stories serve as explorations and help show readers how and why real-life women don’t always make the “correct” decisions in the face of economic and sexual troubles.
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Eighty percent of all novels are bought by women, or so I’ve heard.
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I worked probably fewer jobs than most people, or fewer real soul-killing jobs than other people. I’ve been a typist, a typesetter, a keyliner, cappuccino-maker. I think I’ve been pretty lucky.
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I do different work, teaching and running around visiting universities and bookstores, and that prevents me from writing. But it’s nice to be wanted as a writer.
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I loved writing for the school newspaper. I liked to report and interview people, but I really liked to write columns, funny columns.
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I realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
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All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.
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I’m of the people in the bar and the people in my stories. They are my tribe.
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I’m not much interested in my own self when I write. I’m interested in what I observe out there, what’s going on around me.
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In a regular class I don’t focus on the form, but I think that focus is helpful for brainstorming and coming up with ideas quickly, especially with autobiographical material.
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In fact, when I finally realized I was really going to write, when I was about thirty-four, I was working on my Ph.D. in Mathematics.
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I have a second-degree black belt in Okinawan kobudo weapons training.
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Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
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I’m very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
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Being five-foot-ten at fourteen years old was a little bit scary.
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Time is never wasted coming to an old man bar.
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We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.
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Where I live you’re not supposed to shoot a firearm within a quarter mile of a dwelling.
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My donkeys are Jack and Don Quixote. They’re very smart, very cautious. Much of what people consider stubbornness in donkeys is actually cautiousness.
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That’s where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and ’50s, several old pickup trucks, and a pile of scrap metal.
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I can’t personally drink or fight too much nowadays because I have to be perky in the morning in order to write.
BONNIE JO CAMPBELL