The great thing about fiction is that I don’t have to settle on an answer to any troubling question, or even a solution.
BONNIE JO CAMPBELLThat’s where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and ’50s, several old pickup trucks, and a pile of scrap metal.
More Bonnie Jo Campbell Quotes
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In a regular class I don’t focus on the form, but I think that focus is helpful for brainstorming and coming up with ideas quickly, especially with autobiographical material.
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Nobody tells young writers it’s okay if you’re not very good, you’ll get better. So I just thought I’m not very good, so I should try to do every other thing besides writing. That’s how I ended up being a hitchhiker, a world traveler, and a mathematician.
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So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
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As a writer, I can live somewhat independently, occupying nooks and crannies and finding meaning there. I can even live in my mind a good portion of most days.
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I’m of the people in the bar and the people in my stories. They are my tribe.
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I mostly write about the working poor. Somehow, they’re not being written about much anymore.
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Men didn’t understand that you couldn’t let yourself be consumed with passion when there were so many people needing your attention, when there was so much work to do.
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I like living near my family, and near the people I understand the best. The landscape of Michigan speaks to me, and the humility and humor of the people here makes sense. It just feels right to live here, in a place where I don’t dare put on airs.
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When I was little, we lived on 8 acres and my mom had a horse. But when I was 7, my mom kicked my dad out, and then in order to feed us five kids, she got critters cheap or for free and raised them for food.
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I thought that you had to learn to write by yourself and if you couldn’t do it, then you were out of luck.
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That’s why I have to be a fiction writer, because I can’t remember what just happened or where I went last week or what movie I just watched with my husband. I’m better off just making things up.
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I’m pro-life, in the sense that chaos seems like life to me and order seems like death.
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Eighty percent of all novels are bought by women, or so I’ve heard.
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We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.
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I was never a big reader as a kid. My imagination wasn’t captured by books very often. It was captured more often by boys and partying and riding horses.
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That was a mistake, I guess, going out to California. They have these things called guidance counselors in high school. They drink a lot of herbal tea.
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If you have someone falling out of the boat, you’d have to drag the boat up the river and film the same scene ten times, every time, dragging the boat exactly where it was up the river.
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It occurred to Susan that men were always waiting for something cataclysmic-love or war or a giant asteroid.
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Since I’m living with the violence and trouble in my brain, it’s kind of a relief to write about it, to get it on paper, to put it in context, to find meaning in it.
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I loved writing for the school newspaper. I liked to report and interview people, but I really liked to write columns, funny columns.
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There are dozens of emails daily, gardening, lots of dishes (where do all these dishes come from?), daily family emergencies, and, of course, the petting of the donkeys. The smell of donkeys is heavenly, and their he-honking is the sweetest music. I feel calm just thinking about them.
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My donkeys are Jack and Don Quixote. They’re very smart, very cautious. Much of what people consider stubbornness in donkeys is actually cautiousness.
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I’m very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
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I realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
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A mathematical proof is beautiful, but when you’re finished, it’s really only about one thing. A story can be about many things.
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I have a second-degree black belt in Okinawan kobudo weapons training.
BONNIE JO CAMPBELL