I like living near my family, and near the people I understand the best. The landscape of Michigan speaks to me, and the humility and humor of the people here makes sense. It just feels right to live here, in a place where I don’t dare put on airs.
BONNIE JO CAMPBELLI’ve worked behind counters serving food, and I’ve lived on the circus train, and I’ve led bicycle tours in Eastern Europe and the Balkans and Russia. I’ve been a key liner for a newspaper, I’ve done typesetting. Oh, all sorts of things.
More Bonnie Jo Campbell Quotes
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The truth is I tried to write for years and I wasn’t very good.
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I’m very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
BONNIE JO CAMPBELL -
You can’t beat a good sonnet, and you can write a sonnet without being married to the damned thing.
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That’s where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and ’50s, several old pickup trucks, and a pile of scrap metal.
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I loved writing for the school newspaper. I liked to report and interview people, but I really liked to write columns, funny columns.
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We all screw up, but the women I write about don’t have back-up plans or money in the back or resources to fix what they have broken.
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I realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
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I’m of the people in the bar and the people in my stories. They are my tribe.
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As a writer, I can live somewhat independently, occupying nooks and crannies and finding meaning there. I can even live in my mind a good portion of most days.
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For ‘King Cole’s American Salvage,’ I rode around in the wrecker with a local driver and watched him deal with customers and hook up the cars.
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It occurred to Susan that men were always waiting for something cataclysmic-love or war or a giant asteroid.
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I hope that my stories serve as explorations and help show readers how and why real-life women don’t always make the “correct” decisions in the face of economic and sexual troubles.
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So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
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I always felt a weird obligation to be adventurous.
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Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
BONNIE JO CAMPBELL