“It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.”

The natural world is the place into which all my characters have to situate themselves in order to be who they really are, and that makes my rural fiction feel different from a lot of urban fiction.

When I started I would have called myself an artist but the discipline I chose in art was music and text.

I’m pro-life, in the sense that chaos seems like life to me and order seems like death.

Drugs and drinking affect every family I know, country and city, middle-class and poor.

It occurred to Susan that men were always waiting for something cataclysmic-love or war or a giant asteroid.

Being five-foot-ten at fourteen years old was a little bit scary.

I worked probably fewer jobs than most people, or fewer real soul-killing jobs than other people. I’ve been a typist, a typesetter, a keyliner, cappuccino-maker. I think I’ve been pretty lucky.

For ‘King Cole’s American Salvage,’ I rode around in the wrecker with a local driver and watched him deal with customers and hook up the cars.

I enjoy shooting. Around where I live, it’s something you do for entertainment once in a while, you go out and shoot targets.

I think it gets uncomfortable when you try to act like you didn’t just tell a joke that bombed.

So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.

I think by writing about a place with great specificity, you manage to make it universal.

In a regular class I don’t focus on the form, but I think that focus is helpful for brainstorming and coming up with ideas quickly, especially with autobiographical material.

I always felt a weird obligation to be adventurous.

That was a mistake, I guess, going out to California. They have these things called guidance counselors in high school. They drink a lot of herbal tea.

We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.

some actors seek parts similar to their personalities. But, I prefer undergoing a metamorphosis that depends on the role .

I don’t believe in leaving a scene in because it was really hard to shoot, or because it’s the reason you took the movie, or because you always wanted to work with an actor . . . If it’s not making the movie work, get rid of it.

Like the actor, authority has faith in its false whiskers. But its deepest faith is in the human illusion. People will hang on to illusion as eagerly as life itself.

As an actor there’s no autonomy, unless you’re prepared to risk the possibility of starving.

I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.

Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.

Some of my oldest friends are actors. But that’s not the only place my friends come from.

Johnny Depp is one of my favorite actors because he takes chances.