I’ve worked behind counters serving food, and I’ve lived on the circus train, and I’ve led bicycle tours in Eastern Europe and the Balkans and Russia. I’ve been a key liner for a newspaper, I’ve done typesetting. Oh, all sorts of things.
BONNIE JO CAMPBELLAny of us who listen to the news or listen to stories our neighbors tell are accustomed to violence.
More Bonnie Jo Campbell Quotes
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A mathematical proof is beautiful, but when you’re finished, it’s really only about one thing. A story can be about many things.
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The great thing about fiction is that I don’t have to settle on an answer to any troubling question, or even a solution.
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It occurred to Susan that men were always waiting for something cataclysmic-love or war or a giant asteroid.
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I’m not much interested in my own self when I write. I’m interested in what I observe out there, what’s going on around me.
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I always felt a weird obligation to be adventurous.
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All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.
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Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
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Where I live you’re not supposed to shoot a firearm within a quarter mile of a dwelling.
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You can’t beat a good sonnet, and you can write a sonnet without being married to the damned thing.
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I was just about to earn my Master’s along the way, but I knew something was wrong because I found myself crying all the time.
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Nobody tells young writers it’s okay if you’re not very good, you’ll get better. So I just thought I’m not very good, so I should try to do every other thing besides writing. That’s how I ended up being a hitchhiker, a world traveler, and a mathematician.
BONNIE JO CAMPBELL -
That’s where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and ’50s, several old pickup trucks, and a pile of scrap metal.
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My normal writing day involves three hours of actual writing, before noon, and the rest is just feeding the writing. There is teaching (so I can afford to write), travel to be planned and executed.
BONNIE JO CAMPBELL -
I hope that my stories serve as explorations and help show readers how and why real-life women don’t always make the “correct” decisions in the face of economic and sexual troubles.
BONNIE JO CAMPBELL -
So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
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I think by writing about a place with great specificity, you manage to make it universal.
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I figure that I’m always going to be fine, one way or another, but I do worry about other people who have difficulty moving from one world to the next. It’s the folks who are truly invested in their lives who have the hardest time with change.
BONNIE JO CAMPBELL -
That’s why I have to be a fiction writer, because I can’t remember what just happened or where I went last week or what movie I just watched with my husband. I’m better off just making things up.
BONNIE JO CAMPBELL -
Being five-foot-ten at fourteen years old was a little bit scary.
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In fact, when I finally realized I was really going to write, when I was about thirty-four, I was working on my Ph.D. in Mathematics.
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Drugs and drinking affect every family I know, country and city, middle-class and poor.
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For ‘King Cole’s American Salvage,’ I rode around in the wrecker with a local driver and watched him deal with customers and hook up the cars.
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We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.
BONNIE JO CAMPBELL -
Since I’m living with the violence and trouble in my brain, it’s kind of a relief to write about it, to get it on paper, to put it in context, to find meaning in it.
BONNIE JO CAMPBELL -
If you have someone falling out of the boat, you’d have to drag the boat up the river and film the same scene ten times, every time, dragging the boat exactly where it was up the river.
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I mostly write about the working poor. Somehow, they’re not being written about much anymore.
BONNIE JO CAMPBELL