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Being five-foot-ten at fourteen years old was a little bit scary.

Bonnie Jo Campbell

I realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
BONNIE JO CAMPBELL

Country People Realized Skills Writing
Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
BONNIE JO CAMPBELL

Character Different World
I’ve worked behind counters serving food, and I’ve lived on the circus train, and I’ve led bicycle tours in Eastern Europe and the Balkans and Russia. I’ve been a key liner for a newspaper, I’ve done typesetting. Oh, all sorts of things.
BONNIE JO CAMPBELL

Country Keys People Worked
We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.
BONNIE JO CAMPBELL

Character Emotional Strong
I thought that you had to learn to write by yourself and if you couldn’t do it, then you were out of luck.
BONNIE JO CAMPBELL

Luck Thought Writing
That’s where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and ’50s, several old pickup trucks, and a pile of scrap metal.
BONNIE JO CAMPBELL

Three Tractors Truck
I’m of the people in the bar and the people in my stories. They are my tribe.
BONNIE JO CAMPBELL

Bars People Stories
Eighty percent of all novels are bought by women, or so I’ve heard.
BONNIE JO CAMPBELL

Heard Novel Percent
Since I’m living with the violence and trouble in my brain, it’s kind of a relief to write about it, to get it on paper, to put it in context, to find meaning in it.
BONNIE JO CAMPBELL

Context Meaning Trouble Violence
We all screw up, but the women I write about don’t have back-up plans or money in the back or resources to fix what they have broken.
BONNIE JO CAMPBELL

Broken Money Plan Resources Screw
Being five-foot-ten at fourteen years old was a little bit scary.
BONNIE JO CAMPBELL

Feet Scary Years
My normal writing day involves three hours of actual writing, before noon, and the rest is just feeding the writing. There is teaching (so I can afford to write), travel to be planned and executed.
BONNIE JO CAMPBELL

Teaching Thinking Writing
For ‘King Cole’s American Salvage,’ I rode around in the wrecker with a local driver and watched him deal with customers and hook up the cars.
BONNIE JO CAMPBELL

Car Hook Kings Love Watched
Nobody tells young writers it’s okay if you’re not very good, you’ll get better. So I just thought I’m not very good, so I should try to do every other thing besides writing. That’s how I ended up being a hitchhiker, a world traveler, and a mathematician.
BONNIE JO CAMPBELL

Better Trying Writing
All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.
BONNIE JO CAMPBELL

All Course Guns Locked More Tight
A Life in Men is a joyful, ambitious novel that is also an adventure traversing three continents, as well as a meditation on love, sex, and, most important, friendship, which can overcome time, distance, and even death.
BONNIE JO CAMPBELL

Adventure Distance Important Sex

Being five-foot-ten at fourteen years old was a little bit scary.

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Being five-foot-ten at fourteen years old was a little bit scary.

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