And go to places that are hard to go to and hard to get out of. And if when you come back to JFK, when you land in JFK, and you’re still in love with that person, get married at the airport.
BILL MURRAYAnd even if we win, if we win, HAH! Even if we win! Even if we play so far above our heads that our noses bleed for a week to ten days; even if God in Heaven above comes down and points his hand at our side of the field.
More Bill Murray Quotes
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The automatic things you do are basically those things that keep you from doing the better things you need to do.
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If it starts to drag on set, or if you feel like it’s not a fun experience, people get down, the energy gets down. You’ve got to keep the energy up.
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My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, ‘That’s it-let’s get the hell outta here.’
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So I went, and one of the funniest film moments I’ve ever had was when they introduced the New York film critics. They all stood up – motley isn’t the word for that group.
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The more relaxed you are, the better you are at everything.
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You can tell how boring a person is by the lack of fear in their eyes when someone is flipping through photos on their phone.
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We’re Americans! Do you know what that means? It means our forefathers were kicked out of every decent country in the world.
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You say, “Do you want a piece of this movie?” And he’s got to sell this movie to get his money back. That’s the brains of it; that’s the genius of this financing. “You want Germany? Give us a million dollars and you’ve got Germany.”
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The set is stocked with Victorian extras and little children in Oliver kind of outfits, and the director says, “All right, Bud – just give it whatever you want.” And Hackett goes off on a rant. Unbelievably obscene.
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That’s the reason I’m not the one that’s dead because the attraction of the fast life is very powerful.
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Sometimes I snore, like when I get really tired.
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Awards are meaningless to me, and I have nothing but disdain for anyone who actively campaigns to get one.
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It’s much harder to play beloved than to play a rotten guy. Rotten guy is a piece of cake. So playing a beloved person really sets a high bar for your behavior and your acting and what you project.
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I don’t believe that you can give the same performance every take. It’s physically impossible, so why bother? If you don’t do what is happening at that moment, then it’s not real. Then you’re holding something back.
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So you’d have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining?
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