I ignore Hallmark Holidays. And this comes from a guy who has sold a million Opus greeting cards.
BERKELEY BREATHEDIf I could have drawn a cat yelling for lasagna every day for 15 years and have them pay me $30 million to do so, I would have.
More Berkeley Breathed Quotes
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I started as a news photographer at the University Of Texas’ Daily Texan.
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I grew up in Los Angeles and always wished I’d spent a childhood in a far different place.
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I knew ‘Mars Needs Moms! ‘ would be a movie seconds after the title came to mind. Similarly, I also knew that my daughter would be calling me a dork as a default term of endearment eventually.
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I paint digitally now. A pity, in some ways, as the biggest price one pays is that you no longer have a finished piece of physical art to hang on a wall. I miss that terribly.
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And just as it is with all proper grannies, she ordered me into my pink bunny jammies.
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I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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Liberal, shmiberal. That should be a new word. Shmiberal: one who is assumed liberal, just because he’s a professional whiner in the newspaper.
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A turkey which was no doubt a lively, intelligent bird… a social being… capable of actual affection… nuzzling its young with almost human- like compassion. Anyway, it’s dead and we’re gonna eat it. Please give our respects to its family.
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The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
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Dear Lord, I’ve been asked, nay commanded, to thank Thee for the Christmas turkey before us…
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If I could have drawn a cat yelling for lasagna every day for 15 years and have them pay me $30 million to do so, I would have.
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I can say that even in the midst of my most cynical comic stripping: Opus shone through with a bit of heart, anchoring the ugly proceedings with a comforting pull of emotion.
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The universe throws us some obvious little pitches sometimes, and we need to be awake enough not to let them slip by.
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That’s the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
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Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
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