The cartooning was always just an abstraction. It was an income. It was making me famous. It was allowing me to go and do other things that I’d wanted to do.
BERKELEY BREATHEDThe fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
More Berkeley Breathed Quotes
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The digital world has allowed me a connection with my reader that I’d never had before. I didn’t meet the people who read my material.
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If I could have drawn a cat yelling for lasagna every day for 15 years and have them pay me $30 million to do so, I would have.
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A mind is a terrible thing. All this evolution nonsense is making me feel like a complete APE!
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That’s the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
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I ignore Hallmark Holidays. And this comes from a guy who has sold a million Opus greeting cards.
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Keep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
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I started as a news photographer at the University Of Texas’ Daily Texan.
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I was never asked to join the Editorial Cartoonists Of America. No fraternity would have me in college, either. I think they know something.
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I paint digitally now. A pity, in some ways, as the biggest price one pays is that you no longer have a finished piece of physical art to hang on a wall. I miss that terribly.
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Liberal, shmiberal. That should be a new word. Shmiberal: one who is assumed liberal, just because he’s a professional whiner in the newspaper.
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Dear Lord, I’ve been asked, nay commanded, to thank Thee for the Christmas turkey before us…
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If you’ll read the subtext for many of those old strips, you’ll find the heart of an old-fashioned Libertarian. And I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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The fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
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It was a huge challenge to learn digital painting well enough so that computers don’t pop into mind when one sees one.
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I don’t get fan mail. It disappeared with the digital revolution.
BERKELEY BREATHED