I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
BERKELEY BREATHEDThe fan letters were mostly answered by professional people that’d done them for a living. And I didn’t have any daily connection with their response to my work. I didn’t have a relationship with my audience. And every artist should have it.
More Berkeley Breathed Quotes
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Liberal, shmiberal. That should be a new word. Shmiberal: one who is assumed liberal, just because he’s a professional whiner in the newspaper.
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Dear Lord, I’ve been asked, nay commanded, to thank Thee for the Christmas turkey before us…
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If you’ll read the subtext for many of those old strips, you’ll find the heart of an old-fashioned Libertarian. And I’d be a Libertarian, if they weren’t all a bunch of tax-dodging professional whiners.
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Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
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That’s the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
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It was a huge challenge to learn digital painting well enough so that computers don’t pop into mind when one sees one.
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I don’t get fan mail. It disappeared with the digital revolution.
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I ignore Hallmark Holidays. And this comes from a guy who has sold a million Opus greeting cards.
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The cartooning was always just an abstraction. It was an income. It was making me famous. It was allowing me to go and do other things that I’d wanted to do.
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I’ll confess right here that I secretly wish I’d have drawn a strip about a little boy with a fake tiger, going for adventures throughout the universe in spaceships of his imagination.
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The digital world has allowed me a connection with my reader that I’d never had before. I didn’t meet the people who read my material.
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A turkey which was no doubt a lively, intelligent bird… a social being… capable of actual affection… nuzzling its young with almost human- like compassion. Anyway, it’s dead and we’re gonna eat it. Please give our respects to its family.
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Keep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
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I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child – which is ironic because I was never, never sentimental about him as many of his fans were.
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I started as a news photographer at the University Of Texas’ Daily Texan.
BERKELEY BREATHED