Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It’s impossible trying to act it; it just happens. It’s a very important question: no acting.
BEN KINGSLEYIf the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
More Ben Kingsley Quotes
-
-
Equal partners aren’t always what we envision as being manifestly equal. Equality can come in many different shapes and sizes and combinations.
BEN KINGSLEY -
I think if I were to go back on stage I might be in great danger of acting.
BEN KINGSLEY -
The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
BEN KINGSLEY -
In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
BEN KINGSLEY -
What is chess, do you think? Those who play for fun or not at all dismiss it as a game. The ones who devote their lives to it for the most part insist that it’s a science. It’s neither. Bobby Fischer got underneath it like no one before and found at its center, art.
BEN KINGSLEY -
If I were to play somebody who ran a fish and chip shop, I would not work in a fish and chip shop for three months. Staring at chips is not going to help me in my performance.
BEN KINGSLEY -
As a singer, I might have fallen among thieves. I wonder if I’d still be alive by now.
BEN KINGSLEY -
I have a rather naive approach, I think, to my job.
BEN KINGSLEY -
If it’s a really well written villain, he probably has more layers than the archetypal good person. So that would be very attractive to an actor. No one chooses to be a villain; it’s usually a reaction to something else.
BEN KINGSLEY -
I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.
BEN KINGSLEY -
I don’t honestly think people know what acting is.
BEN KINGSLEY -
I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.
BEN KINGSLEY -
You cannot learn a lesson of profound forgiveness unless you understand what it is to be wounded and forgive that which has wounded you.
BEN KINGSLEY -
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
BEN KINGSLEY -
We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they’re good actors.
BEN KINGSLEY