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I think that most actors attempt to keep in touch with the child.

Ben Kingsley

In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
BEN KINGSLEY

Care Order Thinking
I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
BEN KINGSLEY

Children People Thinking
The leaping Jaguar on the bonnet, to me, makes it look more like a hunter than something that is getting away. It’s a hunter. Richard III definitely would have had a chauffeur driven Jaguar MK X.
BEN KINGSLEY

Hunters Jaguar Looks
I told myself that I would not go back to the camps as an actor ever again, that I was very frightened of wearing a yellow star. It was fear, it was cowardice, I was.
BEN KINGSLEY

Actors Stars Yellow
You want to know what I want? I’ll tell you what I want. I want back what Bobby Fischer took with him when he disappeared.
BEN KINGSLEY

Fischer Knows Want
The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
BEN KINGSLEY

Choices Event Numbers
I try and reduce myself to an almost blank slate and hope to God that I am creative.
BEN KINGSLEY

Creative Creativity Trying
When Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.
BEN KINGSLEY

Boat Hours Miles
That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
BEN KINGSLEY

Ease Flesh Longing
One of the greatest things drama can do, at it’s best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.
BEN KINGSLEY

Drama Home Loyalty
Equal partners aren’t always what we envision as being manifestly equal. Equality can come in many different shapes and sizes and combinations.
BEN KINGSLEY

Different Shapes Size
I didn’t go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.
BEN KINGSLEY

Couple Drama Job
If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
BEN KINGSLEY

Choices Long Wish
I’m open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.
BEN KINGSLEY

People Speak World
I’m convinced that had I not changed my name, I don’t think I would have had quite the same career curve that I eventually had.
BEN KINGSLEY

Curve Name Thinking
I think if I were to go back on stage I might be in great danger of acting.
BEN KINGSLEY

Acting might Thinking

I think that most actors attempt to keep in touch with the child.

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I think that most actors attempt to keep in touch with the child.

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