I’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
BEN GIBBARDI was literally just going and applying for jobs, and I couldn’t get a job, and I was getting more and more broke, and you find yourself groveling for jobs you don’t even want.
More Ben Gibbard Quotes
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We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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I’d like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack.
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We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
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I feel like on those older records there are a lot of attempts at clever turns of phrase.
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At this point in my life, I find myself obsessed with alternate paths I could’ve taken. I don’t think about this with a sense of regret, but with a sense of wonder.
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I feel that we are currently living in a world that is similar to late ’50s, early ’60s kind of world.
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I’ve always had a soft spot for Phil Collins. He’s a great vocalist.
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I can remember how I sang – a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You’re wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool.
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And it came to me then that every plan is a tiny prayer to father time.
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I don’t hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal.
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I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don’t have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could.
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Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around.
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Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It’s a language aside from the language they have with strangers.
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
BEN GIBBARD