There were a lot of fences and walls existing in my life, literally and figuratively, and that was really not indicative of the kind of person that I’d always been. So, when I moved back to Seattle, the first thing I said was, “I will never live in fear again.”
BEN GIBBARDWe were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn’t feel like work.
More Ben Gibbard Quotes
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I think sometimes a narrative can come out of a single word.
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I feel that we are currently living in a world that is similar to late ’50s, early ’60s kind of world.
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I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
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The late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
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I’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
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As a songwriter, I’m not necessarily writing about myself or my life.
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I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like.
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Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It’s a language aside from the language they have with strangers.
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I kind of dropped a lot of bad habits about three years ago and became kind of accidentally straight-edge. I don’t have Xs on my hands, but I guess if I wanted to go back to calling myself straight-edge, I could.
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We were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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The second ‘Postal Service’ album is threatening to become the ‘Chinese Democracy’ of indie rock. It will come out eventually, or maybe it won’t.
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Between every record, we all split off in our own world and we all end up listening to usually pretty different music on our own. We come together not really knowing what the other people having been really listening to and what’s been influencing them.
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I feel like on those older records there are a lot of attempts at clever turns of phrase.
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