We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
BEN GIBBARDWe were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn’t feel like work.
More Ben Gibbard Quotes
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You remember that stuff and laugh about it now. You don’t feel it the way you did back then when you were so scared and nervous and tired and hungry.
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We were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
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We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real.
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You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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The late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
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I want to write songs with complete sentences. I almos have this obsession with short-changing words. I would never be so pretentious to say that my lyrics are poetry. … Poems are poems. Song lyrics are for songs.
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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For me, a song doesn’t really take flight until it has a lyric on it. …Without a lyric that I’m happy with, it could be the greatest song ever melodically or arrangement-wise, but it doesn’t have any resonance.
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
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More times than not, it’s a failed endeavor. You will fail more times than you succeed. But I think you need those failed endeavors.
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We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.
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I feel like on those older records there are a lot of attempts at clever turns of phrase.
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I don’t hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal.
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If there is one thing I think I have accomplished, it’s that I always thought of myself as a very literal songwriter, and as I look at some of those older records.
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Liking interesting things doesn’t make you interesting.
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I want so badly to believe that there is truth, that love is real. And I want life in every word to the extent that it’s absurd.
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I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like.
BEN GIBBARD -
I don’t think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we’re in Baltimore trying to figure out what to do with ourselves.
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I’d like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack.
BEN GIBBARD -
I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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We always idealize the past because we don’t feel the painful stuff the way we used to.
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Around that same time I started running. I never saw myself as the kind of person who would become a runner. It seemed unfathomable to me that I would ever run three miles, let alone 26.2.
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I’m a war of head versus heart, it’s always this way. My head is weak, my heart always speaks, before I know what it will say.
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We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.
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When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record.
BEN GIBBARD