“I think sometimes a narrative can come out of a single word.”

I have always been very open and earnest about some things in my life, some things that are not directly in my life, but they’re twirling around me at the time.

There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.

As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I’ve always been able to rely on.

A lot of the material is about the inevitable disappointment people feel as they move through life, and things don’t feel the way they expect. No experience will ever match up to the idealized version in your mind.

Around that same time I started running. I never saw myself as the kind of person who would become a runner. It seemed unfathomable to me that I would ever run three miles, let alone 26.2.

And it came to me then that every plan is a tiny prayer to father time.

There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.

I just rediscovered my guitar.

The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time.

Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around.

I’ve covered Avril Lavigne. I like good pop songs, and I don’t think there should be any kind of preconceptions about where good pop songs come from.

I don’t want to be overly dramatic and say it’s the only thing that gets me up and keeps me going. But people in your life come and go.

I want so badly to believe that there is truth, that love is real. And I want life in every word to the extent that it’s absurd.

Liking interesting things doesn’t make you interesting.

I’m a war of head versus heart, it’s always this way. My head is weak, my heart always speaks, before I know what it will say.

When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record.

Narrative- and image-making creatures like humans don’t feel any experience is complete unless it’s recorded.

European children are educated in a narrative of human tolerance every day, and if you want to be sure to prevent a backlash, you should at least think of bringing Muslim children and teenagers into the fold of that narrative of tolerance.

I hear music as narrative.

I think that rap is narrative, when it’s done right.

I need to tell the things that are important but which don’t make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.

Thank God for Canada! In the context of this narrative [in Underground] and beyond.

The structure of my novels has nothing to do with the narrative mode of cinema. My novels would be very difficult to film without ruining them completely.

In narrative films, you set up reality, so you can limit the variables.