We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
BEN GIBBARDThe story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time.
More Ben Gibbard Quotes
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I couldn’t wait to go on tour back then. I would be sitting at my day job or my apartment, just itching to go. There were so many adventures that were about to happen.
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The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time.
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We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real.
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I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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At this point in my life, I find myself obsessed with alternate paths I could’ve taken. I don’t think about this with a sense of regret, but with a sense of wonder.
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We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.
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I don’t spend my time perusing message boards to find out what people think about me or if people think my songs are good or if people love that lyric or this or that. I just want to be happy with it myself – and if other people like it, that’s great.
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When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record.
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To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.
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More times than not, it’s a failed endeavor. You will fail more times than you succeed. But I think you need those failed endeavors.
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I’m a war of head versus heart, it’s always this way. My head is weak, my heart always speaks, before I know what it will say.
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I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
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I just rediscovered my guitar.
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We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn’t feel like work.
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I feel that we are currently living in a world that is similar to late ’50s, early ’60s kind of world.
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I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like.
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I think sometimes a narrative can come out of a single word.
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I can remember sitting up in guitarist Chris Walla’s bedroom and for the first time in my life having this realization like, “Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play.”
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I don’t want to be overdramatic about it, but I’m starting to see a lot of my bad habits get the best of me.
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I’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
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The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums.
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The late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
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I don’t think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we’re in Baltimore trying to figure out what to do with ourselves.
BEN GIBBARD