I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.
BEN GIBBARDWe were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
More Ben Gibbard Quotes
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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Now that we have the resources, we’re like, “Oh wow, a nice studio is pretty nice! They do have nice outboards here. It’s actually a pretty good place.” It’s funny how much changes so quickly.
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I have always been very open and earnest about some things in my life, some things that are not directly in my life, but they’re twirling around me at the time.
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We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real.
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We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.
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I don’t want to be overly dramatic and say it’s the only thing that gets me up and keeps me going. But people in your life come and go.
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I don’t hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal.
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We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.
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I can remember sitting up in guitarist Chris Walla’s bedroom and for the first time in my life having this realization like, “Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play.”
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I feel like on those older records there are a lot of attempts at clever turns of phrase.
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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Nada Surf and Harvey Danger are good bands. I think they’ve just stayed true to why they play music in the first place, it’s just because they love doing it and they love each other and that’s the impetus for doing it, not trying to keep singles on the radio and on MTV.
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At this point in my life, I find myself obsessed with alternate paths I could’ve taken. I don’t think about this with a sense of regret, but with a sense of wonder.
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like.
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Our band is very polarizing. There are people who absolutely can’t stand us, and people who absolutely can’t live without us. I’d rather spark those kind of polar-opposite feelings than have people be indifferent.
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I don’t think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
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The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums.
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We always idealize the past because we don’t feel the painful stuff the way we used to.
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If there is one thing I think I have accomplished, it’s that I always thought of myself as a very literal songwriter, and as I look at some of those older records.
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The late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
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I just rediscovered my guitar.
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Because of my age and what I do for a living and the amount of time that I’ve spent away from my family and loved ones.
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As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I’ve always been able to rely on.
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You spend hours alone, only with your thoughts, and you torture yourself. It’s a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time.
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The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.
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