I’d like the songs to be more storytelling, but also have the turns of phrase within them that would hopefully distance my writing from the pack.
BEN GIBBARDI don’t hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal.
More Ben Gibbard Quotes
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I was literally just going and applying for jobs, and I couldn’t get a job, and I was getting more and more broke, and you find yourself groveling for jobs you don’t even want.
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I don’t hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal.
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Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around.
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As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I’ve always been able to rely on.
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We would scoff at the idea of a nice studio. “Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that’s really fancy. Well we’ve got an eight-track. We’ve got it going on here.”
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I like writing on piano and a computer, and a lot of ‘Plans’ came out of samples and vocal lines.
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An ex-girlfriend once got upset when I told her that music is the most important thing in my life. It’s more important than anyone else could ever be.
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I want so badly to believe that there is truth, that love is real. And I want life in every word to the extent that it’s absurd.
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Hall & Oates is one of the few musical groups as satisfying now as it was back then. There’s something incredibly musically satisfying about their songs. Nothing has diminished my love for them.
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There’s a cinematic quality that happens in my mind when I hear something that really lands. An album is just a journal of a life moving through time.
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The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time.
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The late ’90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio.
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Anything was better than going to work. All those early tours before we made any money were more like vacations. I don’t think it was until 2001 that we pulled our heads out of the sand and were like, “What are we doing?”
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You spend hours alone, only with your thoughts, and you torture yourself. It’s a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time.
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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I don’t want to be overly dramatic and say it’s the only thing that gets me up and keeps me going. But people in your life come and go.
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I have always been very open and earnest about some things in my life, some things that are not directly in my life, but they’re twirling around me at the time.
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You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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More times than not, it’s a failed endeavor. You will fail more times than you succeed. But I think you need those failed endeavors.
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I’m not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun.
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We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real.
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There were two recording studios in Bellingham. One was really expensive, a “nice studio.” We were at the point where we were young and irreverent.
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Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
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To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.
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I can remember sitting up in guitarist Chris Walla’s bedroom and for the first time in my life having this realization like, “Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play.”
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At this point in my life, I find myself obsessed with alternate paths I could’ve taken. I don’t think about this with a sense of regret, but with a sense of wonder.
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