If you can’t draw a crowd, draw dicks on the wall
BEN FOLDSPeople learn at the rate they are going to learn.
More Ben Folds Quotes
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Because I write very simply, but inside the simplicity, there’s a lot of subtlety. That’s what I’m proud of.
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Why would I want to sound like Joni Mitchell? I’ve got Joni Mitchell records, and they’re great, and I couldn’t possibly be that good.
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I’m older than I was, and I’m still washed-up, and I haven’t changed my music one iota. It’s just much easier to do this when people are being nice to you.
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Off the coast and I’m headed nowhere
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You can’t really control how people hear stuff. It’s hard to remember that. I have to let go of it.
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In many ways, I’ve chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don’t like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.
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Im really good at writing almost hits.
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Some people would say they never see me because I don’t go anywhere. I stay in the blue state of Nashville, in my bubble.
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People learn at the rate they are going to learn.
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I think people use temp music quite a bit, but the people who write the temp music don’t ever really learn that their music was inspiring a movie.
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And all I really want to say is you’re the reason I want to stay.
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I have manic energy. What can be done about it? I don’t know what to say sometimes. I’m professional in public, but I like to stay inside and be a hermit.
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The nice thing about age is worrying less and less about what people think.
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I feel like a quote out of context.
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Being capable of anything is a bullshit concept, unless it means you also admit that you’re capable of cheating, lying and killing.
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I do think that when you make repeated mistakes, it’s usually because you’re just not coming to grips with something.
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I think a lot of good directors listen to music while they’re working. The songs just don’t become a part of the film. They’re replaced.
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My parents told me I must get married. I was seen as a failure if I didn’t do it.
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It’s like being in the position of – in half of the industry’s mind, you’re kind of a cult-following, independent rocker. And on the other hand, you’re a sellout. But neither one of them are right.
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I’m definitely an anomaly, but I’m making things. They’re selling, say, martinis, and I’m kind of making vintage Riesling.
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I’m not really a strange person or anything, so if there’s music I like, usually there’s other people who like it too.
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If I’m in a relationship and my girlfriend is sleeping with other people, I don’t need to know who it is; I just want to know how she feels about it.
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I always feel very lucky that I am forced to make records at certain times. If I was forced to make 2 records a year, I would write twice as many songs. I can’t make myself finish something unless I am forced
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I look to an out gay man or woman as pretty much what I would aspire to. The strength that it takes to do that and the floodgates that open and what they pay for it.
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But I really do have a soft spot for the solo shows. Any musician who writes and sings will tell you that’s the center of it, that is it. It’s almost like there’s something church-like about it and you gotta go back there, if you’re a songwriter that sings your material.
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My job is to be some sort of music/lyric psychic, to figure out that that’s the right song to not fight the lyric.
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