I’m not really a strange person or anything, so if there’s music I like, usually there’s other people who like it too.
BEN FOLDSI do think that when you make repeated mistakes, it’s usually because you’re just not coming to grips with something.
More Ben Folds Quotes
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The piano is just a different animal. It’s expensive, it’s big, it’s heavy, and it doesn’t fit in the mix easily.
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Why would I want to sound like Joni Mitchell? I’ve got Joni Mitchell records, and they’re great, and I couldn’t possibly be that good.
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I start songs all the time. If I weren’t so lazy, I would finish them. It’s like when I have a deadline I have to.
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There is still some art in pop music. But it can’t happen if you’re not inspired.
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Even though I live in America more, I feel like when I go to Adelaide, that’s when I get to go home.
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In many ways, I’ve chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don’t like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.
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If the melody is telling me this is what the song is about, then I’m sort of forced into confession, autobiography or fantasy. If I don’t do that, I’ve hamstrung the melody.
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I drink a lot, probably too much. My scene while writing lyrics is always a bottle of scotch and stacks of note cards, pencil and pencil sharpener. I throw around note cards and drink.
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It’s a tough thing to know that when you’re making your album, you’re going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
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I divorce myself from listeners who aren’t tolerant of humor. I did notice universally that, especially when it comes to weight, people look in the mirror and get the angle just right, tell themselves it’s all right, and then they go out.
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I’ve gotten to the point where I realize that I need to tell my truth in music and not walk around blabbing my mind.
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Because I write very simply, but inside the simplicity, there’s a lot of subtlety. That’s what I’m proud of.
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The way I see it, there’s only one melody for any song.
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I want people to listen to my lyrics and be okay with themselves. The people who have it the roughest are homosexuals who come out of the closet.
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Now that I have found someone, I’m feeling more alone… than I ever have before.
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To the modern ear, it seems soft. When you hear it against other things, it seems vulnerable. Lyrically and musically, though, this is more subtle. And, yes, it’s asking a lot of someone who’s used to being hit over the head with bright neon to listen to this.
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You can’t really control how people hear stuff. It’s hard to remember that. I have to let go of it.
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I do think that when you make repeated mistakes, it’s usually because you’re just not coming to grips with something.
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Billy Joel and Joe Jackson were both great, and they both play piano.
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But I really do have a soft spot for the solo shows. Any musician who writes and sings will tell you that’s the center of it, that is it. It’s almost like there’s something church-like about it and you gotta go back there, if you’re a songwriter that sings your material.
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I do have that mindset – that most good art comes from some turmoil, from someone trying to come to some equilibrium, or come up and get a breath.
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I love you more than I have ever found a way to say to you.
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The press is like any business. Its a group of really intelligent individuals that ends up being one slathering, one-eyed, drooling monster.
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I look to an out gay man or woman as pretty much what I would aspire to. The strength that it takes to do that and the floodgates that open and what they pay for it.
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Rock and roll is – and should be – a kid’s place.
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The reason I stop playing songs is usually because I get sick of them, and then they find themselves back into the set list at some point.
BEN FOLDS