I drink a lot, probably too much. My scene while writing lyrics is always a bottle of scotch and stacks of note cards, pencil and pencil sharpener. I throw around note cards and drink.
BEN FOLDSI have manic energy. What can be done about it? I don’t know what to say sometimes. I’m professional in public, but I like to stay inside and be a hermit.
More Ben Folds Quotes
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If you can’t draw a crowd, draw dicks on the wall
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I’m romantically inclined. No human being on Earth is not attracted to other people. There is no fairy tale that they only have eyes for you. You just choose to act on it or not.
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The way I see it, there’s only one melody for any song.
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Why would I want to sound like Joni Mitchell? I’ve got Joni Mitchell records, and they’re great, and I couldn’t possibly be that good.
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The reason I stop playing songs is usually because I get sick of them, and then they find themselves back into the set list at some point.
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White people don’t sing together very often, and when they do, it’s about the celebrity of the song. The singing at my shows is all about harmony.
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I think people use temp music quite a bit, but the people who write the temp music don’t ever really learn that their music was inspiring a movie.
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I could probably live in Bali the rest of my life and completely live in the sticks and have a f – king moped and make a record every couple of years and not step in public and break even like I do anyway. That’s really tempting.
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I think a lot of good directors listen to music while they’re working. The songs just don’t become a part of the film. They’re replaced.
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Being capable of anything is a bullshit concept, unless it means you also admit that you’re capable of cheating, lying and killing.
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Notes don’t make music until you learn to insert silence between them.
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The music business is a weird business. Sometimes licensing doesn’t happen because some business component that you never knew about stops it.
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The nice thing about age is worrying less and less about what people think.
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Rock and roll is – and should be – a kid’s place.
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I’m not really a strange person or anything, so if there’s music I like, usually there’s other people who like it too.
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Everything I write is personal, really. Even when I’m sarcastic, it’s quite personal. And on this record, from the production to the singing to the performances, I got it really honest.
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Everyone, when you’re a teenager and you’re growing up, you do feel like your life is dramatic enough to be on a TV screen, but we know that it’s not.
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Everyone grew up with a piano in their living room, so rocking out on the piano was accessible – it wasn’t an upper-class thing. Now pianos have become very much a piece of furniture.
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I’m definitely an anomaly, but I’m making things. They’re selling, say, martinis, and I’m kind of making vintage Riesling.
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Now that I have found someone, I’m feeling more alone… than I ever have before.
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Billy Joel and Joe Jackson were both great, and they both play piano.
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I want people to listen to my lyrics and be okay with themselves. The people who have it the roughest are homosexuals who come out of the closet.
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My job is to be some sort of music/lyric psychic, to figure out that that’s the right song to not fight the lyric.
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A lot of 18-year-olds are like old men. They think they’ve seen everything.
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It’s a tough thing to know that when you’re making your album, you’re going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
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The piano is just a different animal. It’s expensive, it’s big, it’s heavy, and it doesn’t fit in the mix easily.
BEN FOLDS