“I’ve seen some very beautiful drag queens.”

There was one person [opening] the door with a butter knife and another person kicking the door in so I could get a photo. He’s decapitated, but totally nude. And he’s really well-endowed.

It’s a blessing as an artist to express myself – whether that be via dance, via song or via speech – in so many different ways.

I don’t feel complete. It doesn’t feel like the electricity is making its connections

I’m not a performer who will come on stage and tell you everything about my life. It’s just not who I am.

Anything that I do, I try to make it as good as I possibly can.

Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

Kirstie [Alley] saved me, in a way. [At the time], I had a terrible marriage, and I stayed at her house.

I loved Jay Thomas as Eddie LeBec. But there was a point where they [thought] maybe we would live together, and I didn’t like the idea of Carla being with somebody because that would make you feel like [you’re] not part of the people in the bar.

I’ve been very fortunate in my collaborators throughout my career.

Stage and film are just two wildly different animals. Why compare the two?

Certainly the life of a dancer is very difficult. The training is very hard and relentlessly grueling.

That was the aura of Cheers: It was special. It was more than TV; you could get people to guest on the show you couldn’t normally get.

If I’m not in shape, it feels like something is wrong. If I haven’t been able to get to class for a while or I’ve been sick.

I have the greatest picture of Ted [Danson]. That was a big caper,

I really loved Kelsey [Grammer]. It wasn’t a romantic love, but there was something about him. It’s very difficult to see someone you care about having a hard time.

The musical stuff I’d go up for was always funny, sexy, tough-as-nails, heart-of-gold characters.

Every day I measure the weight of my past against the present and feel the drag of what could have been.

The difference between a misfortune and a calamity is this: If Gladstone fell into the Thames, it would be a misfortune. But if someone dragged him out again, that would be a calamity.

To love someone is to isolate him from the world, wipe out every trace of him, dispossess him of his shadow, drag him into a murderous future. It is to circle around the other like a dead star and absorb him into a black light.

I’m not willing to drag my fans down a road I don’t believe in. That’s just my one little principle. I’ve only got one, and that’s it.

All taxes are a drag on economic growth. It’s only a question of degree.

A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.

People have to be realistic, or the dream just drags on.

Ive only dressed in drag three or four times.