“Stage and film are just two wildly different animals. Why compare the two?”

There was one person [opening] the door with a butter knife and another person kicking the door in so I could get a photo. He’s decapitated, but totally nude. And he’s really well-endowed.

It’s a blessing as an artist to express myself – whether that be via dance, via song or via speech – in so many different ways.

I don’t feel complete. It doesn’t feel like the electricity is making its connections

I’m not a performer who will come on stage and tell you everything about my life. It’s just not who I am.

Anything that I do, I try to make it as good as I possibly can.

Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

Kirstie [Alley] saved me, in a way. [At the time], I had a terrible marriage, and I stayed at her house.

I loved Jay Thomas as Eddie LeBec. But there was a point where they [thought] maybe we would live together, and I didn’t like the idea of Carla being with somebody because that would make you feel like [you’re] not part of the people in the bar.

I’ve been very fortunate in my collaborators throughout my career.

Certainly the life of a dancer is very difficult. The training is very hard and relentlessly grueling.

That was the aura of Cheers: It was special. It was more than TV; you could get people to guest on the show you couldn’t normally get.

If I’m not in shape, it feels like something is wrong. If I haven’t been able to get to class for a while or I’ve been sick.

I have the greatest picture of Ted [Danson]. That was a big caper,

I really loved Kelsey [Grammer]. It wasn’t a romantic love, but there was something about him. It’s very difficult to see someone you care about having a hard time.

The musical stuff I’d go up for was always funny, sexy, tough-as-nails, heart-of-gold characters.

On the rare occasions I go to the gym, I prefer silence.

By whatever path you go, you will have to lose yourself in the one. Surrender is complete only when you reach the stage `Thou art all’ and `Thy will be done’.

The lowest stage of humanity is experienced when the individual must labour for a small pittance of wages from others.

Once you are pregnant, there is no if. That child, though tiny and in an early stage of development, already exists!

Tragedy on the stage is no longer enough for me, I shall bring it into my own life.

Before our eyes is fought a battle of symbols, for there can be theatre only from the moment when the impossible really begins and when the poetry that occurs on the stage sustains and superheats the realized symbols.

Singing for stage, if you don’t hear yourself, that’s when you push, and that’s when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.

I don’t think I write differently when I’m writing a screenplay, as opposed to a stage play or a teleplay. Maybe if I were in a film class and there was time to think about it, we could point out differences.

I began to work the stage and get the audience into it. I also learned how to have fun out there. It is something I will never forget.