“That was the aura of Cheers: It was special. It was more than TV; you could get people to guest on the show you couldn’t normally get.”

I’ve been very fortunate in my collaborators throughout my career.

Stage and film are just two wildly different animals. Why compare the two?

Certainly the life of a dancer is very difficult. The training is very hard and relentlessly grueling.

If I’m not in shape, it feels like something is wrong. If I haven’t been able to get to class for a while or I’ve been sick.

I have the greatest picture of Ted [Danson]. That was a big caper,

I really loved Kelsey [Grammer]. It wasn’t a romantic love, but there was something about him. It’s very difficult to see someone you care about having a hard time.

The musical stuff I’d go up for was always funny, sexy, tough-as-nails, heart-of-gold characters.

On the rare occasions I go to the gym, I prefer silence.

When I was born, they put casts on my legs ’cause I had some kind of dysplasia or something. My legs were all messed up.

I don’t see myself as a diva at all.

I don’t see my dancing or acting as two separate things. I don’t define them separately, so I can’t say one has helped the other, It’s all the same thing.

More than anything I love being on stage and performing

I’ve never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.

Creating a role is an interesting thing – each show or each situation is different.

Artists need to express.

I am a very complicated person.