“Artists need to express.”

People make snap judgments about me that are frequently misguided.

I don’t have any delusions of grandeur or delusions of failure. In terms of my work, I’ve got a pretty cold honest eye.

There was one person [opening] the door with a butter knife and another person kicking the door in so I could get a photo. He’s decapitated, but totally nude. And he’s really well-endowed.

It’s a blessing as an artist to express myself – whether that be via dance, via song or via speech – in so many different ways.

I don’t feel complete. It doesn’t feel like the electricity is making its connections

I’m not a performer who will come on stage and tell you everything about my life. It’s just not who I am.

Anything that I do, I try to make it as good as I possibly can.

Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

Kirstie [Alley] saved me, in a way. [At the time], I had a terrible marriage, and I stayed at her house.

I loved Jay Thomas as Eddie LeBec. But there was a point where they [thought] maybe we would live together, and I didn’t like the idea of Carla being with somebody because that would make you feel like [you’re] not part of the people in the bar.

I’ve been very fortunate in my collaborators throughout my career.

Stage and film are just two wildly different animals. Why compare the two?

Certainly the life of a dancer is very difficult. The training is very hard and relentlessly grueling.

That was the aura of Cheers: It was special. It was more than TV; you could get people to guest on the show you couldn’t normally get.

If I’m not in shape, it feels like something is wrong. If I haven’t been able to get to class for a while or I’ve been sick.

I have the greatest picture of Ted [Danson]. That was a big caper,

You know I don’t think we need the Republicans to steal family values from us.

Someday I’m gonna be famous. Do I have talent, well, no. These days you really don’t need it.

I remember getting in the elevator for my audition and there was a guy next to me who had a backpack full of props and wigs and things, and I went, ‘Oh, my God, that guy is so prepared,

You’ve given me the best of you, but now I need the rest of you.

To me, this goes beyond disappointing. It shows that we are failing to gain ground on the very conditions we need to reverse to improve our graduation rates and produce more students who are ready for college and the workforce.

We’re going to need that kind of movement, because the fossil fuel industry is a sprawling adversary – at work everywhere, its tentacles in everybody’s politics, invulnerable, I think, to direct frontal assault, but probably more brittle than it guesses if we come at it from all sides.

I don’t have all the answers. I need your help, your guidance, and your leadership to tackle the challenges before us.

We’re teaching our children how to live. We need to start teaching them how to die.