“Creating a role is an interesting thing – each show or each situation is different.”

Anything that I do, I try to make it as good as I possibly can.

Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

Kirstie [Alley] saved me, in a way. [At the time], I had a terrible marriage, and I stayed at her house.

I loved Jay Thomas as Eddie LeBec. But there was a point where they [thought] maybe we would live together, and I didn’t like the idea of Carla being with somebody because that would make you feel like [you’re] not part of the people in the bar.

I’ve been very fortunate in my collaborators throughout my career.

Stage and film are just two wildly different animals. Why compare the two?

Certainly the life of a dancer is very difficult. The training is very hard and relentlessly grueling.

That was the aura of Cheers: It was special. It was more than TV; you could get people to guest on the show you couldn’t normally get.

If I’m not in shape, it feels like something is wrong. If I haven’t been able to get to class for a while or I’ve been sick.

I have the greatest picture of Ted [Danson]. That was a big caper,

I really loved Kelsey [Grammer]. It wasn’t a romantic love, but there was something about him. It’s very difficult to see someone you care about having a hard time.

The musical stuff I’d go up for was always funny, sexy, tough-as-nails, heart-of-gold characters.

On the rare occasions I go to the gym, I prefer silence.

When I was born, they put casts on my legs ’cause I had some kind of dysplasia or something. My legs were all messed up.

I don’t see myself as a diva at all.

I don’t see my dancing or acting as two separate things. I don’t define them separately, so I can’t say one has helped the other, It’s all the same thing.

They keep creating new ways to celebrate mediocrity.

In 1967 I entered Harvard as a freshman, confident – in the way that only 17-year-olds are – that I could change the world.

Labor should not be about creating monuments on hills or statues in parks. Labors monuments and statues are when a young person can find a job, when a person with disability can get access to the ordinary life that others take for granted.

Creating a meaningful life has less to do with how we feel about our past than what we do about our future.

Life is not a means to an end but a series of experiences. Are you creating your series ‘on purpose’ ?

The tax collector must love poor people, he’s creating so many of them.

Autonomy, Purpose, & Mastery: If you are having difficulty creating the life you want, chances are one or more of these are missing.

Permaculture offers a radical approach to food production and urban renewal, water, energy and pollution. It integrates ecology, landscape, organic gardening, architecture and agro-forestry in creating a rich and sustainable way of living.