“Certainly the life of a dancer is very difficult. The training is very hard and relentlessly grueling.”

It’s a blessing as an artist to express myself – whether that be via dance, via song or via speech – in so many different ways.

I don’t feel complete. It doesn’t feel like the electricity is making its connections

I’m not a performer who will come on stage and tell you everything about my life. It’s just not who I am.

Anything that I do, I try to make it as good as I possibly can.

Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

Kirstie [Alley] saved me, in a way. [At the time], I had a terrible marriage, and I stayed at her house.

I loved Jay Thomas as Eddie LeBec. But there was a point where they [thought] maybe we would live together, and I didn’t like the idea of Carla being with somebody because that would make you feel like [you’re] not part of the people in the bar.

I’ve been very fortunate in my collaborators throughout my career.

Stage and film are just two wildly different animals. Why compare the two?

That was the aura of Cheers: It was special. It was more than TV; you could get people to guest on the show you couldn’t normally get.

If I’m not in shape, it feels like something is wrong. If I haven’t been able to get to class for a while or I’ve been sick.

I have the greatest picture of Ted [Danson]. That was a big caper,

I really loved Kelsey [Grammer]. It wasn’t a romantic love, but there was something about him. It’s very difficult to see someone you care about having a hard time.

The musical stuff I’d go up for was always funny, sexy, tough-as-nails, heart-of-gold characters.

On the rare occasions I go to the gym, I prefer silence.

When I was born, they put casts on my legs ’cause I had some kind of dysplasia or something. My legs were all messed up.

So many dancers rely on some sort of magic happening on the stage. They never, for various reasons, work full out in rehearsal. That’s very uncreative. They don’t discover the kinds of things that add up to a remarkable performance.

If we could be pure dancers in spirit we would never be afraid to love, and we would love with strength and wisdom.

EVERY SINGLE DANCER, SINGER and BAND MEMBER is a BRILLIANT SOLO ARTIST

On Saturday afternoons, there was a film, of course, and then we did about four shows between the films. And I would do a tap dance, a little military tap.

You can’t help but be creative, we all are unique beings and have a unique story to tell from different walks of life.

When you’re a dancer who is injured, you are at the bottom of the food chain. We are so replaceable.

I’ve been on stage since I was 7. That’s where I’d rather be than anywhere else. Just because you can do a bunch of things doesn’t mean you are a bunch of things.

I was never a dancer before ‘Shake It Up’.