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It’s always hard to explain why an audience ultimately responds to a movie.

Barry Levinson

You have a movie and it proves itself and then certain things happen.
BARRY LEVINSON

Certain Happens Proven
I always think that there is the good and the bad of it all.
BARRY LEVINSON

All Always Bad Good Thinking
Ronald Reagan was this actor who was going to be president, and he was very charming. What he had was, he talked about America in ways that got people all caught up in it. He was creating this America – it could even be the mythical “America” – that we subscribe to.
BARRY LEVINSON

Charming People President
Some actors are supposed to be very difficult, but I’ve not found that to be the situation.
BARRY LEVINSON

Actors Found Difficult
Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
BARRY LEVINSON

Actors Country Laughing United States
You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
BARRY LEVINSON

Character Moments Play
I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
BARRY LEVINSON

Kids Playing Swimming
As soon as digital editing came about, I immediately made the switch to digital.
BARRY LEVINSON

Digital Editing Made
I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we’ve seen in the past.
BARRY LEVINSON

Past Real Thinking
Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
BARRY LEVINSON

Camera Digital Film
I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
BARRY LEVINSON

Film Movie Number Screening Survive Time
I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
BARRY LEVINSON

Embrace Film Thinking
No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
BARRY LEVINSON

Desperate Nervous Trying
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
BARRY LEVINSON

Anxiety Chance Country Film Person Two
I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
BARRY LEVINSON

Looks Size Truck Wrong
There’s no downside to having too much experience.
BARRY LEVINSON

Downside Experience Much Too

It’s always hard to explain why an audience ultimately responds to a movie.

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It’s always hard to explain why an audience ultimately responds to a movie.

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