The point is to strip down, get protestant, then even more naked. Walk over scorched bricks to find your own soul. Your heart a searching dog in the rubble.
BARRY HANNAHThe wild stuff is all so overrated. Drinking, you don’t feel good all the time. There’s a lot of down, a lot of misery.
More Barry Hannah Quotes
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If you are able to explain suffering, a man once told him, you weren’t really there.
BARRY HANNAH -
Some writers are curiously unmusical. I don’t get it. I don’t get them. For me, music is essential. I always have music on when I’m doing well. Writing and music are two different mediums, but musical phrases can give you sentences that you didn’t think you ever had.
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The alcohol had the code and mystery about it as a writer’s drug, but I’m glad that’s been debunked. But the trouble with the drinking, much as I hate to admit it, is it helped the work.
BARRY HANNAH -
I don’t write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that’s it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
BARRY HANNAH -
A writers job is to destroy and then to build the thing back up again by a chosen means.
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You need to see a bit of hell now and then. That, and great joy.
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I thought I was writing for a fairly hip, intelligent crowd; I just thought there were more of them out there. But they’re not. They’re not out there waiting. They’re not gonna use their intelligence on your book.
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I don’t really care about plot; I want to have a page-turner in a different kind of way.
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What a bog and labyrinth the human essence is… We are all overbrained and overemotioned.
BARRY HANNAH -
I lost my second marriage because of drinking, and I loved the woman very much. But I thought I needed booze to write. I’m glad I was disabused.
BARRY HANNAH -
The wild stuff is all so overrated. Drinking, you don’t feel good all the time. There’s a lot of down, a lot of misery.
BARRY HANNAH -
My best stories come out of nowhere, with no concern for form at all.
BARRY HANNAH -
I do believe that as you write more and age, the arrogance and most of the vanity goes. Or it is a vanity met with vast gratitude, that you were hit by something as you stood in the way of it, that anybody is listening.
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The first two drinks were always wonderfully liberating. You think better. You’re braver, and you’ll say anything. If you could just hang in there with two or three, it’d be beautiful. The trouble was I couldn’t.
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I grew up when people seemed actually to be hurting themselves for their art. Of course, some of it was phony.
BARRY HANNAH