One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
BABATUNDE ADEBIMPEYou can physically move yourself around but there’s that great line that Adam wrote: “Does it define for life, like print of thumb?” I think it does.
More Babatunde Adebimpe Quotes
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If you push hard enough you can change. You can take everything you know and round it up, turn it into something else, and keep turning things into something else.
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The cynicism doesn’t come across in the final; it can be taken as a very sincere plea for someone to not go away.
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A lot of people have reunion things, but I think bands are supposed to break up.
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Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.
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You can physically move yourself around but there’s that great line that Adam wrote: “Does it define for life, like print of thumb?” I think it does.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
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I feel like now if you’re going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or “We’re in a library for some reason!”
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I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.
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I feel like people just let each other live a little more in New York.
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There are people who kind of let you know that you can silence the room.
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Hearing that [David] Bowie passed was like you don’t really believe it. It’s as if the sky shifted a little bit, to remind you it was there.
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You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.
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I want to be around these positive, expressive people who are doing something different and who also want to get the hell out of there and don’t want to be around basic human bullshit.
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Most of the bands that I really like no longer exist. That might just be because I’m in my thirties or whatever. But I also think it’s the rare band that doesn’t, like, turn into something else.
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Adam is one of my favourite writers, period. He has such a unique voice and he’s somebody who I admire so much for putting the effort into inventing his own language and furthering it.
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I think that music and art and film, at their best, can connect with something that is eternal in human beings, that might not have so many labels on it, something that’s ultimately universal and that may just be a feeling.
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I know that being upset without having an avenue to fix anything is a real hard place to be in for too long. But it’s even worse thinking that it’ll go away if you just ignore it.
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There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
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The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.
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Ten years is a pretty good run for anything.
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I probably couldn’t have the same experience listening to that song because I’m self-conscious about some of my singing parts.
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I don’t want my reasons to be informed by what people think about what I’m doing.
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Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.
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Most of the bands that I really hold in my heart – you don’t think about them as bands; they’re just the soundtrack of your life.
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No one wanted a job. No one could hold a job. You tend to see those going hand in hand.
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Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
BABATUNDE ADEBIMPE