“I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.”

Painting and animation can be kind of long work. Music was more immediate and more fun.

The cynicism doesn’t come across in the final; it can be taken as a very sincere plea for someone to not go away.

There was something in me, even leaving fifth grade, that hit me and said, “I have to get out of here. I don’t know where, and I don’t know what else I can do but I’m really not going to end up like any of these people.”

Ten years is a pretty good run for anything.

I’ve had terrible, terrible, terrible shows where I just thought, “That was off-key” or I forgot lines or I thought I looked like an idiot, and then you’re leaving and talking to people, and they’re like, “I had the best time of my life! That was amazing!” You just never know.

There are people who kind of let you know that you can silence the room.

I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.

You have to be a really talented writer if you’re trying to encapsulate a news story with a song and have it live after the event. I don’t have the focus to do that, really.

A lot of people have reunion things, but I think bands are supposed to break up.

I feel like now if you’re going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or “We’re in a library for some reason!”

There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.

You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.

I know that being upset without having an avenue to fix anything is a real hard place to be in for too long. But it’s even worse thinking that it’ll go away if you just ignore it.

No one wanted a job. No one could hold a job. You tend to see those going hand in hand.

Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.

The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.

It is very depressing to see that in the 21st century people are still using the same 1950s and ’60s style of propaganda.

We either misdirect or depress great amounts of energy in order to keep ourselves from feeling pain, including what we feel in the moment and being who we are in the moment.

You know Mildred would never do anything wrong or foolish. I reflected a little sadly that this was only too true and hoped I did not appear too much that kind of person to others. Virtue is an excellent thing and we should all strive after it, but it can sometimes be a little depressing.

Here in the big city people spend their time thinking about work and about money.

They don’t give some value to friendships and it can be depressing.

I think pain is the best feeling for song writing. You can write good happy songs, but I think the kind of bruiting, depressing ones are more effective.

When I see a cheerful young man shrieking about how full of life he is, banging on a drum, and blowing on a tin trumpet, and speaking of his good spirits

You may feel depressed, but it can’t be so depressing that you can’t move. No, I would say that people create in moments when they are elated about expressing their depression!