“When I’m in the mode of feeling positive about love, I don’t really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.”

No one wanted a job. No one could hold a job. You tend to see those going hand in hand.

Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.

The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.

Most of the bands that I really hold in my heart – you don’t think about them as bands; they’re just the soundtrack of your life.

I probably couldn’t have the same experience listening to that song because I’m self-conscious about some of my singing parts.

Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.

Hearing that [David] Bowie passed was like you don’t really believe it. It’s as if the sky shifted a little bit, to remind you it was there.

If anybody won life, David Bowie did, at least as a creative entity in the sense of writing yourself into existence and writing yourself out in such a graceful swoop.

Most of the bands that I really like no longer exist. That might just be because I’m in my thirties or whatever. But I also think it’s the rare band that doesn’t, like, turn into something else.

It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”

Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.

I feel like people just let each other live a little more in New York.

I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.

You can physically move yourself around but there’s that great line that Adam wrote: “Does it define for life, like print of thumb?” I think it does.

I don’t want my reasons to be informed by what people think about what I’m doing.

Oftentimes, when music is just blasting out it seems like it’s overcompensating for something missing in the song’s structure. When I think of the music that I listen to constantly, it’s never like an assault.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.

If you just concentrate on what you’re doing and allow yourself to actually enjoy and let your feelings come out, whatever the tempos, whatever the rhythms, whatever the songs, 9 out of 10 times it will work.

I cannot choose to ignore this feeling, of life slowly bleeding out of me. I cannot ignore the fact that life only makes sense to me when I see a smile, or feel another hand in mine.

I love my daughter, but there’s a certain feeling, a certain emotion when you got a granddaughter, you know?

When people come and see my show, I try to infuse into them that they can walk away feeling like their lives are a victory.

I’ve often gotten the feeling that the only people who have learned from computer assisted instruction are the authors.

It really is a pleasure to work with someone who you admire. Whatever you do in front of the camera, and I don’t know what it is, but actors have this thing that you recognize someone that makes you better. When you do that, it’s a great feeling.

My feeling is that Darwinism is only at best a partial solution, and an extremely dangerous partial solution.