“Painting and animation can be kind of long work. Music was more immediate and more fun.”

Ten years is a pretty good run for anything.

I’ve had terrible, terrible, terrible shows where I just thought, “That was off-key” or I forgot lines or I thought I looked like an idiot, and then you’re leaving and talking to people, and they’re like, “I had the best time of my life! That was amazing!” You just never know.

There are people who kind of let you know that you can silence the room.

I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.

You have to be a really talented writer if you’re trying to encapsulate a news story with a song and have it live after the event. I don’t have the focus to do that, really.

A lot of people have reunion things, but I think bands are supposed to break up.

I feel like now if you’re going to start a band you have to have an Instagram full of yourself looking a certain way, lined up like five dudes in mugshot alley, hanging out by the bridge or up against the wall, or “We’re in a library for some reason!”

There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.

You turn into this desperate dude looking for a shred of attention when you just had so much. It’s like, “I’m just lonely and all I really want is a hug, but I gotta capture that in something real gross.” You start to understand why circus clowns are alcoholics.

I know that being upset without having an avenue to fix anything is a real hard place to be in for too long. But it’s even worse thinking that it’ll go away if you just ignore it.

No one wanted a job. No one could hold a job. You tend to see those going hand in hand.

Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.

The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.

Most of the bands that I really hold in my heart – you don’t think about them as bands; they’re just the soundtrack of your life.

I probably couldn’t have the same experience listening to that song because I’m self-conscious about some of my singing parts.

Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.

For me, it is OK as long as I can breathe, as long as my heart is pumping, as long as I can express myself.

After I came back [to China], there was still a long period of time when I felt I had nothing to do.

As long as I can communicate, I’m not so lonely. If I cannot travel, or do art, or have company, if they take away all my belongings, it doesn’t matter at all.

If Afghan soldiers continue to kill American soldiers as is happening these days, it can hardly be assumed that they will stay in Afghanistan in the long term. And what role are they to play?

[Shanghai Biennale] has been my attitude for as long as I’ve been practicing art and other cultural-related activities.

The Stone Age did not end for lack of stone, and the Oil Age will end long before the world runs out of oil.

And China is not keen that the U.S. should be so close to its borders over a long period of time. Certainly, if the U.S. is going to be there for a long time, it’s going to exacerbate regional tensions.

You have a lot of suspicion from the neighbors of Afghanistan about U.S. intentions. Iran is already, to some extent, trying to undermine the U.S. in Afghanistan.