The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.
BABATUNDE ADEBIMPEYou can physically move yourself around but there’s that great line that Adam wrote: “Does it define for life, like print of thumb?” I think it does.
More Babatunde Adebimpe Quotes
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
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No one wanted a job. No one could hold a job. You tend to see those going hand in hand.
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I was living in a loft with Dave Sitek – this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
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Oftentimes, when music is just blasting out it seems like it’s overcompensating for something missing in the song’s structure. When I think of the music that I listen to constantly, it’s never like an assault.
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There are a lot of spikes that can happen when what you’re doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.
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If you push hard enough you can change. You can take everything you know and round it up, turn it into something else, and keep turning things into something else.
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There are people who kind of let you know that you can silence the room.
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Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
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One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
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I think that music and art and film, at their best, can connect with something that is eternal in human beings, that might not have so many labels on it, something that’s ultimately universal and that may just be a feeling.
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Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.
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Most of the bands that I really like no longer exist. That might just be because I’m in my thirties or whatever. But I also think it’s the rare band that doesn’t, like, turn into something else.
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There was something in me, even leaving fifth grade, that hit me and said, “I have to get out of here. I don’t know where, and I don’t know what else I can do but I’m really not going to end up like any of these people.”
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My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
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Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.
BABATUNDE ADEBIMPE