Our species has advanced from Stone Age to Industrial Revolution to Digital Emptiness. We’ve become weightless, in the bad sense of the word.
ALAN LIGHTMAN- Sadness is no more than a bit of acid transfixed in the cerebellum.
ALAN LIGHTMAN
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Sadness is no more than a bit of acid transfixed in the cerebellum.
More Alan Lightman Quotes
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Our species has advanced from Stone Age to Industrial Revolution to Digital Emptiness. We’ve become weightless, in the bad sense of the word.
ALAN LIGHTMAN -
I have also been fascinated for a long time with the intersection of science and religion.
ALAN LIGHTMANI have also been fascinated for a long time with the intersection of science and religion.
ALAN LIGHTMAN -
I wouldn’t overall say that “The Diagnosis” is a funny book. I would say that it has comic moments. It’s a modern tragedy.
ALAN LIGHTMANI wouldn’t overall say that “The Diagnosis” is a funny book. I would say that it has comic moments. It’s a modern tragedy.
ALAN LIGHTMAN -
In a world in which time is a circle, every handshake, every kiss, every birth, every word, will be repeated precisely.
ALAN LIGHTMANIn a world in which time is a circle, every handshake, every kiss, every birth, every word, will be repeated precisely.
ALAN LIGHTMAN -
We often do not see what we do not expect to see.
ALAN LIGHTMANWe often do not see what we do not expect to see.
ALAN LIGHTMAN -
I consider myself an essayist and a fiction writer. In the essays, I certainly have been influenced by some of the leading science essayists. Like Loren Eiseley, Stephen Jay Gould, Lewis Thomas.
ALAN LIGHTMANI consider myself an essayist and a fiction writer. In the essays, I certainly have been influenced by some of the leading science essayists. Like Loren Eiseley, Stephen Jay Gould, Lewis Thomas.
ALAN LIGHTMAN -
You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.
ALAN LIGHTMANYou make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.
ALAN LIGHTMAN -
He hopes that she loves him in return. Is it possible for a person to love without wanting love back?
ALAN LIGHTMANHe hopes that she loves him in return. Is it possible for a person to love without wanting love back?
ALAN LIGHTMAN -
A book, especially a longer book, it’s a different kind of force that pushes you through it. It’s a vision of the whole thing.
ALAN LIGHTMANA book, especially a longer book, it’s a different kind of force that pushes you through it. It’s a vision of the whole thing.
ALAN LIGHTMAN -
So it’s really about two and a half months that I’ll feel like I can recover some silence in my life…which is so hard to find.
ALAN LIGHTMANSo it’s really about two and a half months that I’ll feel like I can recover some silence in my life…which is so hard to find.
ALAN LIGHTMAN -
If you over-plot your book you strangle your characters. Your characters have to have enough freedom and life to be able to surprise you.
ALAN LIGHTMANIf you over-plot your book you strangle your characters. Your characters have to have enough freedom and life to be able to surprise you.
ALAN LIGHTMAN -
Thoughts are no more than electrical surges in the brain.
ALAN LIGHTMANThoughts are no more than electrical surges in the brain.
ALAN LIGHTMAN -
It’s a flow of chemicals and electrical currents, and it developed over millions of years in the process of evolution to aid in the procreation of the species.
ALAN LIGHTMANIt’s a flow of chemicals and electrical currents, and it developed over millions of years in the process of evolution to aid in the procreation of the species.
ALAN LIGHTMAN -
I’ve taken a philosophical position on e-mail. Although I think it’s a wonderful communication technology, and it has a lot of good uses, it is abused quite a lot.
ALAN LIGHTMANI’ve taken a philosophical position on e-mail. Although I think it’s a wonderful communication technology, and it has a lot of good uses, it is abused quite a lot.
ALAN LIGHTMAN -
I’m still happy with the way Einstein’s Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words.
ALAN LIGHTMANI’m still happy with the way Einstein’s Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words.
ALAN LIGHTMAN -
We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
ALAN LIGHTMANWe walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
ALAN LIGHTMAN


