The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
ALAN CUMMINGI actually find in America, there’s a slight snobbery about actors who go back and forth between big heavy dramas and popcorn fare. That always intrigues me, because that doesn’t exist in the same way in Britain. And I imagine it would be worse.
More Alan Cumming Quotes
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In my first year at drama school, I did this kids’ show called ‘Let’s See.
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I like the tragedies way more than the comedies because they’re so universal.
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Nowadays people don’t know how to handle it if all the ends aren’t tied up and they’re not told what to think in films. And if they’re challenged, they think it’s something wrong with the film.
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I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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I wouldn’t do my roles if I really hated it. I’ve done things I hated, but I didn’t go into them thinking I would hate them. I want to have fun. I don’t want to go to work and not enjoy it.
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I like working on things that are very different and that involve different disguises.
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It is not hard to feel like an outsider. I think we have all felt like that at one time or another.
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So the experts think we could have an AIDS-free generation in Africa by 2015, even if the mothers are positive.
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It just seems to me that it’s hypocritical for us as a culture to say, “Bullying is a terrible thing,” when really, they are just reflecting what the society is doing.
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Actually I like working kind of fast, because if you got it, why bother doing it over and over?
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Most people will never know anything beyond what they see with their own two eyes.
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You could then, when you lay that as the groundwork, say, “Here I am. This is what I think. I come in peace.” Then you’re able to push out, to be able to talk about more things. And that’s been a really heartening thing about my life, actually.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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With Urban Secrets, I just really liked the idea of wandering around chatting to people.
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You should *have* an experience; it shouldn’t just *be* an experience.
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