Performing a one-man Macbeth feels like the greatest challenge.
ALAN CUMMINGThe thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
More Alan Cumming Quotes
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I come more to Scotland than I ever used to, so I feel more connected to it, more part of the zeitgeist. You know when you realize you have a choice and I’m choosing my homeland. It’s funny: when you get older these things creep up to you.
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I love a film where I get squished by two dumpsters or I fly through the air.
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Kids are more genuine. When they come up and want to talk to you, they don’t have an agenda. It’s more endearing and less piercing to your aura.
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I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it’s interesting that there’s this gaping hole in the repertoire in the American theater, which is Shakespeare.
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It’s hardly ever done, compared to how often it’s done in other companies, not just Britain. Someone from the Roundabout Theater Company – I said, “You never do Shakespeare.” And he said, “Yes, we’re not very good at it.” And I thought, “What a terrible thing to say.”.
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It’s interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That’s what I mean. Also, of course, it means that I’m slightly setting up the audience that there’s a bit of fun involved, as well.
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In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.
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Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.
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I had to be a grown-up when I should have been a little boy, and now that I’m a grown-up my little-boyness has exploded out of me. I’ve lived my life backwards.
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He … knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.
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Sometimes people get really sniffy about the films you choose if you’ve done more dramatic projects or you’re classically trained.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
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I was so scared of going back to the theatre after Hamlet. I didn’t know if I’d do a play again because I was afraid of the power of it.
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So if I’m swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don’t want to be a crap cartoon character. I want to be proud I’m a vitamin!
ALAN CUMMING