You’ll see Dame Judi Dench in a Bond film, in Shakespeare and then starring in her own sitcom. You never see that here with Meryl Streep.
ALAN CUMMINGThe thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
More Alan Cumming Quotes
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I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out.
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Usually, there’s a story I’ve told that leads up to why I’m singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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Romeo is the most misunderstood character in literature, I think. He’s hardcore to play because he’s displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
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Nowadays people don’t know how to handle it if all the ends aren’t tied up and they’re not told what to think in films. And if they’re challenged, they think it’s something wrong with the film.
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It’s actually quite a good ethos for life: go into the unknown with truth, commitment, and openness and mostly you’ll be okay.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
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When you’re on TV, you come into people’s homes. In theater and film, they go to you – to the temple of the cinema or theater. And it’s very different.
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Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, “I could sing that song. I’ve got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs.
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It’s hardly ever done, compared to how often it’s done in other companies, not just Britain. Someone from the Roundabout Theater Company – I said, “You never do Shakespeare.” And he said, “Yes, we’re not very good at it.” And I thought, “What a terrible thing to say.”.
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Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.
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I like working on things that are very different and that involve different disguises.
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You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.
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Be who you like as long as you mean it.
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He … knew, in that instant, that his life would not be an easy one-he was different, he looked different, he thought differently.
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It just seems to me that it’s hypocritical for us as a culture to say, “Bullying is a terrible thing,” when really, they are just reflecting what the society is doing.
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