You do get really exhausted doing films. You work such long hours, and after a while, things can get out of perspective, just like if anyone’s tired, things get on top of them.
ALAN CUMMINGMacbeth was the first play I ever read.
More Alan Cumming Quotes
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story’s going to end and how it’s going to go. But on television nobody knows what’s going to happen, even the writers.
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Sometimes people do you a favour when they drop out of your life.
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Working with good people is always good.
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I was horrified when Richard Chamberlain and Rupert Everett said gay actors should stay in the closet. They were saying to people that they should live a lie and not be liberated, to live in fear of being found out.
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I don’t avoid anyone but I always think some people hate me.
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Once in a while it’s good to challenge yourself in a way that’s really daunting.
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I usually can find a way to do a character to make it real and work. But sometimes it’s a struggle sustaining that, because there’s such a level of personal involvement and personal, physical, and emotional distraughtness.
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Pantomime is a big thing in the cultural calendar of my country, you know. So subtlety’s not my forte.
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I’m quite good, though I say it myself, at making strangers feel at ease.
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With Urban Secrets, I just really liked the idea of wandering around chatting to people.
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When you’re on TV, you come into people’s homes. In theater and film, they go to you – to the temple of the cinema or theater. And it’s very different.
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So the experts think we could have an AIDS-free generation in Africa by 2015, even if the mothers are positive.
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If you are a cabaret artist and you are mostly singing other people’s songs, you’re asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it’s a song they know very well.
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Actors aren’t stupid, mostly, and if there’s a sensibility and an aesthetic that a director’s going for, if you’re aware of that too, you can do things to help that.
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In terms of the sort of class, and the sort of snobby, slightly on the back-foot thing Britain has. But it’s much more prevalent in America.
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