Only when I mention it to W. does he explain Kestrel is now a lager. I imagine the future is going to contain an increasing number of incidents like this.
ALAN BENNETTIt’s subjunctive history. You know, the subjunctive? The mood used when something may or may not have happened. When it is imagined.
More Alan Bennett Quotes
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The days weren’t long enough for the reading she wanted to do.
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They may not have two spondees to rub together but they still want to pen their saga untrammelled by life-threatening activities like trailing round Sainsbury’s, emptying the dishwasher or going to the nativity play.
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Our perspective on the past alters. Looking back, immediately in front of us is dead ground.
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Life is like a box of sardines and we are all looking for the key.
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Life is generally something that happens elsewhere.
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If, for instance, we’d made the film after the show had been to Broadway, it would have been exactly the same film but we would have been assured that they would have understood it.
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And if it can be explained that it can be explained away.’ ‘But this is History. Distance yourselves.
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Here I sit, alone at 60, Bald and fat and full of sin Cold the seat, and loud the cistern As I read the (Harpic) (Lysol) tin
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Schweitzer in the Congo did not derive more moral credit than Larkin did for living in Hull.
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Of course they’re out of date. Standards are always out of date. That is what makes them standards.
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My school was a state school in Leeds and the headmaster usually sent students to Leeds University but he didn’t normally send them to Oxford or Cambridge.
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I’m not good at precise, coherent argument. But plays are suited to incoherent argument, put into the mouths of fallible people.
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And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours
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Artists, celebrated for their humanity, they turn out to be scarcely human at all.
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I suppose I’m the only person who remembers one of the most exciting of his ballets-it’s the fruit of an unlikely collaboration between Nijinsky on the one hand and Sir Arthur Conan Doyle on the other.
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